Cirrus@Austlit

Luther Fox, a loner, haunted by his past, makes his living as an illegal fisherman, a shamateur. Before everyone in his family was killed in a freak rollover, he grew melons and played guitar in the family band. Robbed of all that, he has turned his back on music. There's too much emotion in it, too much memory and pain.

One morning Fox is observed poaching by Georgie Jutland. Chance, or a kind of willed recklessness, has brought Georgie into the life and home of Jim Buckridge, the most prosperous fisherman in the area and a man who loathes poachers, Fox above all. But she's never fully settled into Jim's grand house on the water or into the inbred community with its history of violent secrets. After Georgie encounters Fox, her tentative hold on conventional life is severed. Neither of them would call it love, but they can't stay away from each other no matter how dangerous it is, and out on White Point it is very dangerous.

Set in the dramatic landscape of Western Australia, Dirt Music is a love story about people stifled by grief and regret; a novel about the odds of breaking with the past and about the lure of music. Dirt music, Fox tells Georgie, is "anything you can play on a verandah or porch, without electricity." Even in the wild, Luther cannot escape it. There is, he discovers, no silence in nature. Ambitious, perfectly calibrated, Dirt Music resonates with suspense and supercharged emotion, and it confirms Tim Winton's status as the preeminent Australian novelist of his generation.

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

Peter Carey's hero is a happy innocent; he remembers his childhood as a Vision Splendid, indulges his wife and children, and is universally regarded as a Good Bloke. Then he dies - only for nine minutes, it's a heart attack - and wakes up in Hell. His wife is unfaithful, his partner's a rat, his son pushes drugs, his daughter sells herself, his advertising company promotes products that cause cancer.

Against these torments Carey provides a saviour: hippy Honey Barbara, pantheist, healer, whore. Honey is to Harry as Isis is to Osiris. Together they conquer Hell and retire to the forest where their children inherit the legend of paradise regained...

(Picador, 1981, Synopsis)