An “Infinitely Flexible” Space : Reading Michael Dransfield’s “Courland Penders” Poems through the Neobaroque and Dobrez’s Theory of “The Pouch” single work   criticism  
Issue Details: First known date: 2013... 2013 An “Infinitely Flexible” Space : Reading Michael Dransfield’s “Courland Penders” Poems through the Neobaroque and Dobrez’s Theory of “The Pouch”
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AbstractHistoryArchive Description

This essay 'seeks to find new ways to address Australian poetry, through the example of Michael Dransfield, a controversially significant poet.' (139)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Southerly The Political Imagination : Postcolonialism and Diaspora in Contemporary Australian Poetry vol. 73 no. 1 2013 6482077 2013 periodical issue 2013 pg. 138-154
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Last amended 3 Oct 2013 11:01:04
138-154 An “Infinitely Flexible” Space : Reading Michael Dransfield’s “Courland Penders” Poems through the Neobaroque and Dobrez’s Theory of “The Pouch”small AustLit logo Southerly
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