Cirrus@Austlit

'His selection of 40 poems from Australia's print and online journals captures a sense of poetry as passion, as lived experience, and momentary distillations into action.' (Source: Publisher's website)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."

'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)

'For the first time in my life, I saw my mother in relation to her family, and I didn't recognise her any more . . . These Singaporean roots of hers, this side of her—and possibly of me too—were unacceptable. I was determined not to belong, not to fit in, because I was Australian, and Mum ought to be Australian too. The tug of her roots, the blurring of her role from wife and mother to sister and aunt, angered me.

'On the eve of her mother's wake, Grace Tay flies to Singapore to join her father and brother and her mother's family. Here she explores her family history, looking for the answers to her mother's death. This beautiful and moving novel steps between Singapore, Malaysia, and Australia, evoking the life, traditions, and tastes of a forceful Chinese family as well as the hardship, cruelty, and pain. Written in a fresh, contemporary voice tinged with biting humor, this is a story about resilience and a story about migration, but in many ways it is a story about parents' expectations for their children.' (Publication summary)

“Photography has without doubt made her a seer; she is a woman of the future, someone leaning into time, beyond others, precarious, unafraid to fall.”

In 1860, when they are just eight and ten, Lucy Strange and her brother Thomas are orphaned. Left now in the care of their uncle, the children begin slowly, frighteningly, to find their place in the difficult world. And so begins Lucy's adolescent journey of discovery, one which will take her away from her childhood home in Australia, first to London, then to Bombay and finally, to her death, at the age of twenty-two. It is a life abbreviated, but not a life diminished. Lucy is a remarkable character, forthright, gifted and exuberant; she touches the lives of all who know her.

Written in confident, finely interwoven and intricate layers, Sixty Lights is the powerful chronicle of a modern and independent young woman’s life in the Victorian world. Objects evoke memories and hint at the future in a narrative that flows between pleats in time. Through her observation of such objects Lucy’s photographic vision is apparent. Her world is a series of still images which one day, printed on albumen paper, she will leave as affecting mementoes of her own extraordinary life.

'There is a serial killer stalking the streets of Melbourne. The victims are killed gently, lovingly, a gold mark traced on their forehead. This killer doesn't hate children. This killer believes in childhood innocence at any cost...El Dorado is the story of a friendship under siege, and the very long shadows that jealousy and betrayal can cast.' - back cover

Isaac is a photographer in his mid-30, travelling through Europe. It is the post-Cold War Europe of a united currency, illegal immigration and of a globalised homogenous culture. In his mother's mountain village he encounters a Balkan vampire. Subsequently, as his journey continues across Italy, Eastern Europe and Britain he discovers that ghosts keep appearing in the photographs he takes, providing clues to a family secret and tragedy. Parallel to Isaac's story we are in the Greece of World War II. A peasant family is asked to provide protection to a Jewish boy fleeing the Germans. It is this boy who will become the vampire. From the mountains of Greece to the inner-city streets of 1960s Melbourne, we trace the journey of this malevolent force as it feeds on generation after generation of Isaac's family, seeking revenge and justice.

From Christos Tsiolkas: 'In attempting to trace back through the mythologies, lies and truths of history, I want to examine how the legacies of the past still actively disturb our sleep in the present. Isaac's story is written in a contemporary idiom, in the first person, as he reflects on his alienation from Europe, on what it means to be an artist, to be a man in love, to be an ethical human in a supposedly post-ideological age . . . I am also attempting to understand the longest standing of all European racial legacies: anti-Semitism. The vampire is not only the restless spirit of a dead boy. It is also the golem, the Christ Killer, the killer of children. It is this legacy that Isaac must face . . .
(Source: Penguin Website)