Cirrus@Austlit

After twenty years of peacefully running one of the Empire’s settlements, a magistrate takes pity on an enemy barbarian who has been tortured. He enters into an awkward intimate relationship with her, and then is himself imprisoned as an enemy of the state.

Waiting for the Barbarians is a disturbing political fable about oppression, the fraught desire for reparation, and about living with a troubled conscience under an unjust regime.'

Source: Publisher's blurb.

After twenty years of peacefully running one of the Empire’s settlements, a magistrate takes pity on an enemy barbarian who has been tortured. He enters into an awkward intimate relationship with her, and then is himself imprisoned as an enemy of the state.

Waiting for the Barbarians is a disturbing political fable about oppression, the fraught desire for reparation, and about living with a troubled conscience under an unjust regime.'

Source: Publisher's blurb.

"From the author of Waiting for the Barbarians, another startling and disturbing portrait of today's South Africa, a land and a people beset by violence and siege. Coetzee here tells the story of a handicapped young man who has worked as a municipal gardener in Cape Town. His mother is dying, and she wishes to return to her birthplace out in the veldt. Without the required transit passes, mother and son set out on a journey that will end in death for her and in a new but temporary life on an abandoned farm for him. His respite in isolation and peace does not last long, however; grotesque reality soon returns to trouble this quiet new world. Against the solitude of this private drama, Coetzee paints an eloquent and pained picture of his homeland and of the bureaucrats, doctors, army deserters, and camp guards who reveal the stress and qualms of their existence and who uneasily sense that there is no conclusion to their troubles and no future for their lives." (Source: Libraries Australia)

"This work contains two novellas. In the first [The Vietnam Project], a specialist in psychological warfare is driven to murderous action by the stresses of a macabre project to win the Vietnam War, and in the second [The Narrative of Jacobus Coetzee], a megalomaniac Boer frontiersman wreaks hideous vengeance on a Hottentot tribe". (Source: Libraries Australia)

"The narrator of Youth, a student in the South Africa of the 1950s, has long been plotting an escape from his native country: from the stifling love of his mother, from a father whose failures haunt him, and from what he is sure is impending revolution. Studying mathematics, reading poetry, saving money, he tries to ensure that when he arrives in the real world, wherever that may be, he will be prepared to experience life to its full intensity, and transform it into art." "Arriving at last in London, however, he finds neither poetry nor romance. Instead he succumbs to the monotony of life as a computer programmer, from which random, loveless affairs offer no relief. Devoid of inspiration, he stops writing. An awkward colonial, a constitutional outsider, he begins a dark pilgrimage in which he is continually tested and continually found wanting" (Source: Viking publisher's blurb)

In Elizabeth Costello: Eight Lessons, the eponymous protagonist is a retired author of international literary acclaim, who now spends her time giving guest lectures and interviews at scholarly events around the world. Old age has loosened, rather than reified, her ethical and literary convictions, and swelled her emotional reserves; rather than provide the staid academic wisdom expected of her, Costello offers provocative, unsettling opinions on issues such as animal rights, literary censorship, and the nature of belief - opinions she may or may not believe in herself. Profoundly aware of itself, Coetzee's novel is about human morality and mortality, but above all, about literature itself and the ethical responsibilities of writers and readers.

'In the early eighteenth century, a woman finds herself set adrift from a mutinous ship and cast ashore on a remote desert island. There she finds shelter with its only other inhabitants: a man named Cruso and his tongueless slave Friday. In time, she builds a life for herself as Cruso's companion and, eventually, his lover.' (Source: Libraries Australia)