A film based on the life and death of Ned Kelly, co-written by Australian script-writer Ian Jones and the British director, Tony Richardson. It was not successful on release, and has remained one of the less successful Kelly films.
'On one September night in 1969, the world's biggest rock star couldn't be found in London or New York, but in a rural New South Wales pub, drinking green ginger wine.'
The Ned Kelly Films : A Cultural History of Kelly History
Bristol
Chicago
:
Intellect
,
2013
7520597
2013
multi chapter work
criticism
'One of Australia’s most notorious outlaws, Ned Kelly lived on the land from the time of his first arrest at age 14, until police captured him and his Kelly gang a decade later in 1880. Immortalized in a series of onscreen productions, he has since become one of the most resilient screen presences in the history of Australian cinema.
'Covering the nine feature films, three miniseries, and two TV movies that have been made about this controversial character, Stephen Gaunson illuminates a central irony: from novels to comics to the branding of the site where he was captured, most cultural representations of Kelly are decidedly lowbrow. But only the films have been condemned for not offering a more serious interpretation of this figure and his historical context. Asking what value we can place on such ‘bad’ historical cinema, Gaunson offers new insights about the textual characteristics of cinematic material and the conditions of film distribution, circulation, and reception.' (Publication summary)
The Ned Kelly Films : A Cultural History of Kelly History
Bristol
Chicago
:
Intellect
,
2013
7520597
2013
multi chapter work
criticism
'One of Australia’s most notorious outlaws, Ned Kelly lived on the land from the time of his first arrest at age 14, until police captured him and his Kelly gang a decade later in 1880. Immortalized in a series of onscreen productions, he has since become one of the most resilient screen presences in the history of Australian cinema.
'Covering the nine feature films, three miniseries, and two TV movies that have been made about this controversial character, Stephen Gaunson illuminates a central irony: from novels to comics to the branding of the site where he was captured, most cultural representations of Kelly are decidedly lowbrow. But only the films have been condemned for not offering a more serious interpretation of this figure and his historical context. Asking what value we can place on such ‘bad’ historical cinema, Gaunson offers new insights about the textual characteristics of cinematic material and the conditions of film distribution, circulation, and reception.' (Publication summary)
'On one September night in 1969, the world's biggest rock star couldn't be found in London or New York, but in a rural New South Wales pub, drinking green ginger wine.'
