Coleen Smee Coleen Smee i(6315230 works by)
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1 A Literary Biographical Exploration of the Transnational Literary Journeys of the Australian Writer Amy Witting and a Lithuanian Migrant Elena Jonaitis Coleen Smee , 2014 single work criticism
— Appears in: JASAL , vol. 14 no. 1 2014; This paper explores the genesis and reflexivity of two inter-connected texts, one Elena’s Journey (1997), an autobiographical memoir of a Lithuanian migrant woman Elena Jonaitis and the other, Maria’s War (1998), a fictional novel written by the acclaimed Australian author Amy Witting. The latter text was first conceived from the oral recount of Elena Jonaitis’ experiences fleeing across Germany during World War Two. Witting, an Australian writer in a transnational setting, recognised the significance of Jonaitis’ story, even travelling to Germany to research material for a novel based on the migrant woman’s experiences. Witting subsequently decided that she was too much of ‘a born barnacle’ to write a novel underpinned by places and cultural discourses located outside Australia. Instead, Witting empowered Jonaitis, the other, a woman for whom English was a second language, to write her own story, one of ‘dispossession, endurance, love and survival.’ Soon after, Witting used the life writing of ‘the other’ to inform her own fiction, grounding her novel Maria’s War in Australia by creating the persona of an elderly migrant woman living in a retirement hostel in Sydney, who recounts her war-time experiences to a biographer. Witting commented that both books were ‘tracing the path followed by many Australian citizens and ancestors’. (Publication abstract)
1 The Disempowerment of Women in the Domestic Sphere : The Fiction of Amy Witting (1918 – 2001) Coleen Smee , 2013 single work criticism
— Appears in: Crossroads : An Interdisciplinary Journal for the Study of History, Philosophy, Religion and Classics , vol. 6 no. 2 2013; (p. 94-103)

'This article examines ways in which the fiction of the acclaimed Australian writer Amy Witting, dubbed Australia’s Chekov and whom Helen Garner acknowledged as her ‘literary mother,’ interrogates the disempowerment of women in the domestic sphere, asserting that the home is a contested space and conflicted place for women. Witting subverts the notion that a ‘woman’s place is in the home’ by demonstrating that many

women are actually displaced and dispossessed in the inhibiting domestic spaces that are their ‘homes.’ In her fiction, women are isolated and excluded because of gender inequity

in regard to women’s rights and duties in the domestic sphere. Women are also marginalised in regard to inadequate financial rewards for domestic productivity and are affected by circumstances underpinned by discourses of poverty, class conflict and domestic violence. Witting asserts that the disempowerment of women in the home often leads to women appropriating masculinist attitudes and behaviours of oppression towards other women less powerful than themselves. In this article, these concepts are explored with close reference to five of Witting’s novels and interviews conducted with the author.' (Author's abstract)
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