Melanie Pryor Melanie Pryor i(5977559 works by)
Gender: Female
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Works By

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1 The Weeping Hands Melanie Pryor , 2024 single work essay
— Appears in: Westerly , August vol. 69 no. 1 2024; (p. 17-25)
1 Foot Notes Melanie Pryor , 2023 single work autobiography
— Appears in: Meanjin , Winter vol. 82 no. 2 2023; Meanjin Online 2023;

'A few days before I flew from Australia to travel alone through Scotland for three months, my eye caught on a book behind the counter of a book shop: Landmarks by the British nature writer Robert Macfarlane. The blue-and-white cover looked like a wood cut. I asked the assistant for the book, and opened it to a glossary of words under the title ‘Lights, Hazes, Mists and Fogs’. I mouthed the words listed there: brim’skud, from Shetland, was the smoke-like haze that rises from breaking waves. Maril’d, also from Shetland, described the sparkling luminous substance seen in the sea on autumn nights, and on fish in the dark. The contents page of the book was divided into regions such as ‘Flatlands’, ‘Waterlands’ and ‘Coastlands’, and each section was followed by a glossary of place-terms for weather, landscape and nature gathered from Norn and Old English, Anglo-Romani and Cornish, Welsh, Irish, Gaelic and the Orcadian, Shetlandic and Doric dialects of Scots.' (Introduction)

1 Introduction : ‘Climates of Change’, Papers from the 2017 AAWP Annual Conference Patrick Allington , Piri Eddy , Melanie Pryor , 2018 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 51 2018;

'As we were proofreading this introduction, the new(ish) Prime Minister of Australia, Scott Morrison, responded to the warnings of a special report by the UN’s Intergovernmental Panel on Climate Change by defending the Australian coal industry (Hannam & Latimer 2018). In reference to the Green Climate Fund, set up by the nations that make up the United Nations Framework Convention on Climate Change (UNFCCC) in support of developing nations responding to climate change, Morrison added, ‘Nor are we bound to go and tip money into that big climate fund. We’re not going to do that either. I’m not going to spend money on global climate conferences and all that nonsense’ (Karp 2018).' (Introduction)

1 Singing My Mother Home Melanie Pryor , 2018 single work autobiography
— Appears in: Meanjin , Autumn vol. 77 no. 1 2018; (p. 100-104)

'On the smallest finger joint of my right hand there is a scar, a tiny, fleshy thing shaped like a heart. I was five, perhaps six. Mum and I were laughing, wrestling, and the sapphire on her engagement ring cut me. The scar it left is something that makes me think of home. It reminds me of the house in which I was born; bottlebrush fence out the front, pea-green roof, black and white cat. My father covered the shed in the garden with white paint, and then we painted a mural on the wall. My grandmother was horrified, but she didn’t know the magic that lies in marking your own home.'(Introduction)

1 Blood Land Melanie Pryor , 2016 single work short story
— Appears in: Long Paddock , vol. 75 no. 3 2016;
1 Memoir : Sister Tongue Melanie Pryor , 2015 single work autobiography
— Appears in: Lip Magazine 2015;
1 The Girl In The Cold Melanie Pryor , 2014 single work short story
— Appears in: Short Story Anthology 2 2014;
1 [Untitled] Melanie Pryor , 2013 single work review
— Appears in: Transnational Literature , May vol. 5 no. 2 2013;

— Review of Hannah and Emil Belinda Castles , 2012 single work novel
1 How Loneliness Becomes A Lover Melanie Pryor , 2012 single work short story
— Appears in: Short Story Anthology 2012;
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