Issue Details: First known date: 2022... 2022 “We're Very Anti-politics” Angela Betzien and Patricia Cornelius in Conversation
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AbstractHistoryArchive Description

'I suppose that the very beginning for me was the formation of Melbourne Workers Theatre. And it was what used to be called a “middle-range theatre company” that was based in Melbourne that was founded by three people, me included and two other actors – because we were mostly just actors then – who wanted to engage with the politics of unionism and the working-class. That company absolutely, astoundingly, especially now if you think what it’s like now, how bleak it is in terms of middle-range and independent theatre companies, and their lack of existence and a future that’s not very promising – I just think that company grew and was supported and funded and every year was a huge surprise. But the intent of the work was to actually talk about class and all the political agendas that came from class which was about race, and was about gender, and a lot of other things.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Contemporary Australian Playwriting : Re-visioning the Nation on the Mainstage Chris Hay , Stephen Carleton , London : Routledge , 2022 25272429 2022 multi chapter work criticism

    'Contemporary Australian Playwriting provides a thorough and accessible overview of the diverse and exciting new directions that Australian Playwriting is taking in the twenty-first century.

    'In 2007, the most produced playwright on the Australian mainstage was William Shakespeare. In 2019, the most produced playwright on the Australian mainstage was Nakkiah Lui, a Gamilaroi and Torres Strait Islander woman. This book explores what has happened both on stage and off to generate this remarkable change. As writers of colour, queer writers, and gender diverse writers are produced on the mainstage in larger numbers, they bring new critical directions to the twenty-first century Australian stage. At a politically turbulent time when national identity is fractured, this book examines the ways in which Australia’s leading playwrights have interrogated, problematised, and tried to make sense of the nation. Tracing contemporary trends, the book takes a thematic approach to the re-evaluation of the nation that is dramatized in key Australian plays.

    'Each chapter is accompanied by a duologue between two of the playwrights whose work has been analysed, to provide a dual perspective of theory and practice.' (Publication summary)

    London : Routledge , 2022
Last amended 11 Feb 2025 11:05:09
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