Unleashed : My Life as a Dog single work   prose  
Issue Details: First known date: 2024... 2024 Unleashed : My Life as a Dog
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'“Unleashed” is a creativecritical piece which focuses on my relationship with Artaud, a rescue Kelpie I taught to bark, and in particular on transference love which, for Jacques Lacan, is predicated upon knowledge. “Unleashed” questions The Law, and therefore language as communication, entering as it does into perpetual forms of dialogue and questioning through queer(y)ing the notion of interspecies kinship: Who is training whom in this story? Who is rescuing whom? What is knowledge? What is love? It crosses boundaries between autobiography, poetry and theory, with forays into psychoanalysis, philosophy and behavioural psychology because Antonin Artaud, after whom I named my dog, was a writer of and at the limit. Limit of aesthetic form. Limit of language. Limit of subjectivity. His philosophy is best described as an anti- philosophy. “Unleashed” displays epistemological solidarity with Antonin Artaud at the level of stylistics and performance across divergent discourses, testifying to a poetics of openness and excursiveness in the making. It highlights the shifting, indeed interrupted and illusory, temporal nature of subjectivity, dispelling any sense of certainty utterance such as I Am.' (Publication abstract) 

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon TEXT Special Issue Creativecritical Selves : Interconnection, Dialogue, Entanglement, Love no. 73 2024 29400126 2024 periodical issue 'This article introduces the second of two TEXT special issues designed to survey attitudes toward, and enactments of, creativecritical writing now. Alongside an attempt to speak to the themes of this issue – the ways in which the creativecritical self is incorporated within networks of other selves – it offers the second part of a conversation between the two editors, Daniel Juckes and Stefanie Markidis, as they reflect upon the composition of the special issue. The transcription of this conversation, which was recorded through Microsoft Teams and then edited for clarity, begins in the introduction to the first special issue: “Creativecritical spaces: Practice, pedagogy, methodology, the ineffable”.'  (Publication abstract) 2024
Last amended 7 Jan 2025 09:21:23
X