Cirrus@Austlit

'Scholars are increasingly aware of the ways in which popular culture, particularly spy fiction and film, mediates public understanding of the clandestine world of espionage and intelligence. This article uses the 1954 Petrov Affair as a case study to argue that spy fiction and representations of espionage performed a mediating and framing process for the Australian public during the early Cold War. The events surrounding the defection of Soviet embassy Third Secretary Vladimir Petrov and his wife, Evdokia, to Australia in April 1954 were shocking and unprecedented; with little experience of the extraordinary events beyond the thrilling espionage narratives of popular culture, the Australian media began to frame the event using the familiar formula of spy fiction. By making the “story” of the Petrov Affair a recognisable narrative, rendering the events understandable and the mysteries decipherable, the media transformed Australia ’sun settling involvement in the world of international espionage into entertainment.' 

(Publication abstract)