y separately published work icon Overland periodical issue   peer reviewed assertion
Issue Details: First known date: 2024... no. 255 Winter 2024 of Overland est. 1954 Overland
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Contents

* Contents derived from the , 2024 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Writing from the South : An Interview with Kim Scott, Samuel J. Cox (interviewer), single work interview
'At the end of October 2023, Kim Scott travelled to the Adelaide to speak at the Stories from the South Book Club, a public event held at Dymocks, Rundle Mall that focused on his most recent novel, Taboo (2017). I chaired the evening's  conversations, in which featured dialogue with Professor Stephen Muecke, before opening the floor to a discussion with the audience. As along-time admirer of Scott's work and a passionate scholar of Australian literature, I sat down with Kim in the Adelaide Botanic Gardens the day before,  where we conducted an interview The South — both the context of the Global South and the embeddedness of Scott's writing along the south coast of Western Australia — offered an entry point into our dialogue. His driving role in the Wirlomin Noongar Language and Stories Project further deepened the scope of our conversation and its relation to place. However, the interview also presented an important opportunity to reflect on Kim's impressive body of work, with the 30th anniversary of his debut novel. True Country (1993), and the approaching 25th anniversary of his seminal Benang (0999). which we discuss in some detail. Finally, the failure of the referendum — which Kim characterises as "a little chink of an opportunity" sat so fresh in the mind, inevitably entered our conversation, as Kim — always reasoned and considered- offers a voice which I think we should all sit up and listen to.' (Introduction)
(p. 7-37)
29 February 2024, Lloyd Austin Has Saidi"The US defense secretary Lloyd Austin has said", Tony Birch , single work poetry (p. 38-39)
Icingi"It rose and rose and rested, cracked and cooled.", D. J. Huppatz , single work poetry (p. 40-41)
Worki"Work gets caught under fingernails", Yeena Kirkbright , single work poetry (p. 42-44)
How to Burni"You had been gasping", Debbie Lim , single work poetry (p. 56-57)
The Killer In Mei"My uterus goes by Jolene and refuses", Ann-Marie Blanchard , single work poetry (p. 58-59)
The Ice Sculptor, Lauren Collee , single work short story (p. 61-72)
Something Is Rotten, Jordan Smith , single work short story (p. 73-87)
Split Mindi"like the name of a demon in an enchiridion,", Brendon IJ McLeod , single work poetry (p. 88-90)
The Cephalopod, Madeline Byrne , single work short story (p. 93-104)
'Arts Funding Is Fucked' Overland 1973-1975, Sam Ryan , single work essay

'Nineteen Seventy-three was an auspicious year for the arts in Australia. It saw the announcement of a new structure for the Australia Council for the Arts by the newly minted Whitlam Government. And, more importantly, it was the year when Overland revived its regular [sic] editorial column, Swag, absent from the preceding few issues, and intermittent throughout the journal's history. The tension between governments and artists, and politicians and their public, and any number of permutations of those combinations, is everlasting and in many ways inevitable. While this discussion is almost half a century old, anyone working in the arts will see the contemporary parallels. The specifics are no longer entirely relevant, but the issues raised still hold true, and are, even fifty years later, yet to be resolved, if indeed they can be.' (Introduction)

(p. 107-130)
Poem in Asymmetric Transparencyi"This one's not about throwing cake at Thea.", Shari Kocher , single work poetry
Author's note: after Margaret Preston's Waterlillies (1921), oil on cardboard, Castlemaine Art Museum, Sybil Craig Bequest, 1990
(p. 134-135)
Drafts in Redi"The incarnadine highlands quench and obscure thirst,", Corey Wakeling , single work poetry (p. 136-138)
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