y separately published work icon Heat (Series 3) periodical issue  
Issue Details: First known date: 2024... no. 16 September 2024 of Heat est. 1996 Heat (Series 3)
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AbstractHistoryArchive Description

'Our new issue opens with ‘Dream Geographies’, an important essay by Alexis Wright that covers the many aspects of writing her most recent novel Praiseworthy. In her expressive, allegorical style, Wright discusses the importance of writing on a large scale in an imperilled world, the state of Aboriginal self-determination and the value in thinking off-key to conjure humour. She also describes the collection of notes (many scribbled quickly to catch the flow of thoughts) and treasured objects that helped fire her vision of the book (random gifts from a windfall: a feather from the local birds, or a perfect bird’s nest that had floated down from the highest tree in a night storm, and fallen undamaged into the garden). ' (Introduction)

Notes

  • Only literary material by Australian authors individually indexed. Other material in this issue includes:

    Sentences on Wonderment by Edina Szvoren (trans. Erika Mihalycsa and Peter Sherwood)

    Everything Solid is Vibrating in Place by Chris Ames

Contents

* Contents derived from the 2024 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Dream Geographies, Alexis Wright , single work essay

'The writing of Praiseworthy was loosely guided by a collection of notes and treasured objects that helped fire the vision of the book, the total life-world – the multiple realities of characters such as Dance, the moth-er, flowing right through her dreaming. The shape of things that live in the heart, the life force of all worlds and of all peoples, the great harvest of sensibility, wisdom old and new, intellect, drive, sheer guts and tenacity – these were some of the ideas that I learnt from over a half century of work in the fight for Aboriginal rights.'(Introduction)   

(p. 9-35)
On Top of a Hilli"My parents live on top of a hill", Wen-Juenn Lee , single work poetry (p. 39-41)
On Distancei"My mother tells her friends when they visit", Wen-Juenn Lee , single work poetry (p. 42)
Madonnai"My mother would pretend", Wen-Juenn Lee , single work poetry (p. 43-44)
On Monotony, Nicholas Jose , single work essay
'THE FIRST WORD I REMEMBER being captivated by is 'monotonous'. It must have been in primary school, when I was ten or eleven. I was drawn to the long, strange word. I liked the look of it, the repeated ohs and their symmetry on either side of not. The thrill extended to the even more monotonous `monotonousness' and to the contracted, elegant source word, 'monotony'. 'Monotonous' appeared in our schoolbook as a prompt for composition. Mono-tone. All the same tone. No colour. The grey of drizzle, clouds, fog and the dusk that preceded the winter dark as I rode home or walked from the bus stop on wet footpaths pasted with leaves that had fallen from the black trees overhead. 'Monotonous' was a mood, an atmosphere, a grey that contrasted with the warm yellow lights of passing cars or house windows - an all-enveloping condition.' (Introduction)
 
(p. 45-62)
The Whole Cannot Be Understood Without Reference to Its Holes《無缺亦無圓》, Tom Cho , single work prose (p. 83-87)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 14 Oct 2024 09:32:57
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