'Clare Wright’s Näku Dhäruk: The Bark Petitions – subtitled “how the people of Yirrkala changed the course of Australian democracy” – tells a story that is already well known.'
'It has been 50 years since the cinema release of Peter Weir’s iconic, offbeat, cult classic The Cars That Ate Paris. The film seared the image of a silver Volkswagen Beetle weaponised with deadly spikes into the national imagination. It also helped shape the tropes of Ozploitation filmmaking within the history of Australian cinema.'