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'This paper interrogates the concept of ‘sensitivity’ in creative writing. While the term appears to be relatively straightforward, the methods writers use to write sensitively differ: some may simply consider the feelings of the group represented, while others may engage with interviews or employ the use of a sensitivity reader. This paper uses complexity theory and critical race and whiteness scholarship to define and theorise how sensitivity is used within the current publishing landscape. It argues that, while writing sensitivity can offer greater opportunities for representation on the page, it can also further reinforce racial hierarchies already present within the publishing industry.' (Publication abstract)
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