The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
'The Desert Knows Her Name by Lia Hill, Affirm Press. One reason for reading fiction is the pleasure we get from immersing ourselves in a different and often unfamiliar world. But the reverse was true while I was reading The Desert Knows Her Name, by New Zealand-born Lia Hills, a versatile novelist, poet, translator and curator. This is her third novel; her first two were much praised and were listed for several awards. The novel is set in the Wimmera, the north-western part of Victoria where I spent several years of my childhood — formative years, I have always thought. The township where the novel’s action takes place (Gatyekarr) is the author’s invention, but the other places she mentions are all familiar to me, and we lived about ten miles from the Little Desert, a location that figures prominently in the novel. The salt lakes and the Wimmera River also feature. The novel, in many of its literary references, takes me back a long way. How well I remember Snugglepot and Cuddlepie, The Hobyahs, and the account of the three missing Duff children. They were despaired of but were eventually found by black trackers at the end of eight long days. This true story was in one of our readers, and the whole incident had taken place not too far away. We were learning, while not really knowing or understanding, that the trope of the lost child is a common one in Australian art and literature.' (Introduction)
'The train was unexpectedly full for an off-peak mid-week morning. As I scanned the front half of the carriage there was only one empty section. I settled myself facing forwards for the short journey to the CBD. On my left, across the aisle, a man was waving his hands and talking to himself. My breath tightened slightly. I put my coat onto the seat next to me and turned to look away out the window.'