'I cannot but start with the looming scale of the sun - the half-pictures or contained slice we see in most drawings. Even there, we are obedient to that generic voice, to well-worn wisdom : don't stare direct. The corner of yellow in a child's picture. It's excess and repetition in sunspots and flares on photographic film. The close detail of this Festival's logo, and the scope it implies. Scope and scopic : despite what we are told as children, we are finding ways to see the sun - as Stow did, again and again in his work, from the very beginning, his world viewed through sun-bright lids. Sun in all its power, ripe gold and life miraculous, sun a wild yellow vision. Divine heat and terror, the cognisance of that sun's cataclysm...(Act One 18)' (Introduction)