'Poetry has many pleasures, and, as quite a few of us might suspect, an almost equal share of pains. But every so often, every so often, a book comes along that panders to my desire to loll about reading a detective novel, one hand dipping into the box of chocs and riffling the paper cups to come upon an orange cream, which is my favourite. I am aware, out of the corner of my eye, of the literature outlining the comfort of a rules-based, escapist genre, where the murder victim is rarely, if ever, someone you have come to like. But it wasn’t until I read Carson’s “Reflections on writing The Detective’s Chair” at the back of this book, that I twigged that what I am really liking is the almost preternatural intuition of the crime solvers.' (Introduction)