'Even within the humanities, the discipline of English is unusually diverse in both its object of study, and its approaches and methodologies. It has multiple subfields and frequently aligns with other disciplines including creative writing, cultural studies, and theatre/screen studies. As Ronan McDonald explains:
A typical department of English … might include one faculty member working on a research-funded project with colleagues from the sciences on neurological dimensions to narrative, another researching the philology of Icelandic quest narratives, another working on performativity and gender in relation to contemporary urban street theater, and another working on neglected social histories of Jacobean chapbooks. All these projects are informed by diverse agendas and methods and would provide widely different accounts of their raison d’être. (3)
'The porousness of its disciplinary identity is what makes English studies so compelling. However, this openness may also make it difficult to survive let alone flourish in the metric-driven rankings culture that currently dominates the academy, and which frequently determines institutional priorities as well as the flow of funding. Moreover, in the Australian context, waves of restructures have seen many English departments folded into larger institutional entities with which they are more or less aligned.' (Introduction)