Cirrus@Austlit

'Rereading Petra White’s poetry since her first book, The Incoming Tide of 2007, it’s hard not to feel that the main task she faces in her poetry has been to find ways of getting her life into it. Nothing unusual about that, of course, but you get a sense in her work of life as a continuously developing experience plotted against, and in tension with, the unchangeable matters of temperament and childhood background. And the developing life develops at quite a speed so that in the poems of this new book, That Galloping Horse, we find her in Germany, married and with a growing daughter living through the Covid experience. Some of the themes are consistent: she writes brilliantly about office work (the title of this new book is a metaphor for that sort of work) and sensitively about her unusual childhood in Adelaide. What her career so far shows is a desire to get crucial material into forms that will work well poetically. Is office life dealt with best in a multi-part, multi-perspective sequence as it is in “Southbank” from The Incoming Tide or is it best dealt with metaphorically and allusively? Does the life-changing experience of travelling across the Nullarbor as part of a kind of hippie convoy work best as a narrative sequence – and so on?' (Introduction)