'In this issue our contributors rage against capitalism and colonialism. In Notes on Damp, Anastasia Dale takes us through a horrifyingly familiar tale of renting which is accompanied by an immersive soundscape. In Irish Ghazal, Scout Manuel uses the ghazal form to try and make sense of the cyclical violence of English imperialism.
'‘Strike’ also looks at bodies as sites of struggle and liberation. Mel Bandara’s comic Colours of Pain and Christine Le’s artwork Pang Pang Pang! take a bold look at chronic pain. In Swimming on the Solstice, Theodore Harkin explores swimming as a practice of bodily connectedness as a trans person.
'Dive into fiction about giving birth to demons and being followed by swarms of ants, and poems about lullabies and grieving in the backseat of your family car. And don’t miss out on Henry Tran’s winning story from our partnership with the Dymocks Beyond Words short story competition in 2023. ' (Publication summary)
'It's nighttime when it starts raining down the walls. My posters all get ruined, my photo from school camp. Ringlets of smoke curl in my window from outside. There is banging on the ceiling. The insides of strangers' lives are so close we can touch. Mould creeps across like a rash.' (Introduction)
'Lie back. Yes, I know most women prefer to bear down on their knees, or stand on the bricks, or at the chair. But trust me, it's best if you stay on your back. Otherwise, there won't be any room for your son to slide out. He's going to be big. They always are.' (Introduction)
'There was a man who licked revenge between his teeth and called to me when the moon dangled high. He did all the right things, dousing himself in the blood- scent of trees and kicking a wind into the dirt so that I would see his message. I struck his sticks and brought forth a writhing, black body of smoke and said what will you wish under the watchful moon?' (Introduction)
'At the age of four, my mother told me that all people judge a person, first by their appearance-the outer and most vulnerable part of oneself-followed by their family, their achievements, and only then by their demeanour. She made it a priority to perfect my habits, body and etiquette before I turned eight, but had severely underestimated her ability to remould my external design, like the remorphing of misshapen clay on a potter's wheel.' (Introduction)