Issue Details: First known date: 2024... 2024 Rebecca Clode. Australian Metatheatre on Page and Stage : An Exploration of Metatheatrical Techniques
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Rebecca Clode invites a mutual exploration for “future scholars and theatre-makers alike” (13) in a book that seeks to highlight “metatheatre’s capacity to illuminate the wider social, cultural and artistic contexts in which plays have been produced” (Preface). Describing metatheatre as sometimes fraught and murky critical territory, this book draws from a range of sources— production history, performance traces in review, literary analysis, and wider scholarship—to develop a reading of Australian metatheatre. The case studies, explored in paired chapters, include canonical works: Dorothy Hewett’s The Man from Mukinupin, and UK playwright Timberlake Wertenbaker’s Our Country’s Good; Louis Nowra’s ensemble piece Royal Show; and Peta Murray’s practice-led research project, which culminated in a 2014 showing of Things Fall Over. Notably Our Country’s Good, a drama conceived in the UK but based on Australian Thomas Keneally’s novel The Playmaker, is paired with Peta Murray’s performance text, demonstrating that Clode is actively seeking to expand a conversation about drama and performance in Australia. By including Australian content produced outside of the nation state, as well as techniques and performance that extend beyond mainstream drama, Clode’s mixed methodology works to meaningfully account for production exposure. The scope of this book and its methodology are carefully described, and its emphasis on exploration should be taken as an entry point for readers.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon JASAL Special Issue : ASAL2022 Conference Issue vol. 23 no. 2 4 November 2024 27896608 2024 periodical issue

    ya pulingina!

    'For many years, the week scheduled for the annual conference of the Association for the Study of Australian Literature (ASAL) has coincided with NAIDOC (National Aboriginal and Islander Day of Commemoration) Week, the event that celebrates the histories and cultures, and achievements and struggles, of Australia’s First Nations peoples. In 2022, the coincidence of these events was particularly apposite given that the focus of ASAL’s conference was the thirtieth anniversary, and the ongoing legacies on Australian writing, of the 1992 High Court Mabo decision. Over five days in early July 2022, on the Sandy Bay campus of the University of Tasmania (UTas), a program of speakers and papers, including five keynote presentations from First Nations writers and critics, explored the scholarship and analysis of the enduring repercussions of the landmark court case on Australian literary and cultural imaginaries.' (Introduction to Special Issue)

    2024
Last amended 23 Apr 2024 09:17:19
https://openjournals.library.sydney.edu.au/JASAL/article/view/17853 Rebecca Clode. Australian Metatheatre on Page and Stage : An Exploration of Metatheatrical Techniquessmall AustLit logo JASAL
Review of:
Newspapers:
    Powered by Trove
    X