Issue Details: First known date: 2024... 2024 Different but the Same : Landscape and the Gothic as Transnational Story Space in Jane Campion’s Sweetie (1989) and Lucrecia Martel’s La Ciénaga (2001)
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Screen Culture in the Global South : Cinema at the End of the World Antonio Traverso, (editor), Deane Williams (editor), Keyan G. Tomaselli (editor), London : Routledge , 2024 27855014 2024 anthology criticism

    'This volume adopts a transversal South-South approach to the study of visual culture in transnational, transcultural, and geopolitical contexts.

    'Every day hundreds of people travel back and forth between southern countries, including Australia, Argentina, Brazil, Chile, New Zealand, Indonesia, Timor-Leste, and South Africa. With these people travel cultures, experiences, memories, and images. This creates the conditions for the generation, sharing, and circulation of new knowledge that is both southern and about the South as a specific kind of material and imaginary territory (or territories). It does so through the study of the southern hemisphere’s screen cultures, addressing the broad spectrum of cultural expression in both traditional and new screen media, including film, television, video, digital, interactive, and online and portable technologies.' (Publication summary)

    London : Routledge , 2024
Last amended 11 Apr 2024 07:35:15
Different but the Same : Landscape and the Gothic as Transnational Story Space in Jane Campion’s Sweetie (1989) and Lucrecia Martel’s La Ciénaga (2001)small AustLit logo
Subjects:
  • Sweetie Gerard Lee , Jane Campion , 1989 single work film/TV
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