Cirrus@Austlit

'For our first episode of 2024, Michael speaks with Pulitzer Prize-winning author Geraldine Brooks. She shares her life sentence and reflects on how her upbringing provided the perfect building blocks for a career as a writer. Listen wherever you get your podcasts.' (Production summary)

'This week, Michael chats with author Briohny Doyle, whose most recent novel Why We Are Here explores the complexities of grief, both individual and collective. They discuss the role of writing during the pandemic and how relationships with non-human others enable us to access repressed parts of ourselves.' (Production summary)

'Erik Jensen was just 20 years old when he met Australian author Kate Jennings for the first time, forging a close relationship that continued until Kate’s death in 2021. This week, Michael chats with The Saturday Paper’s editor in chief about Kate’s life and her underappreciated work and Erik shares why her novel, Snake, is the best Australian book he’s ever read.' (Production summary)

'Joseph Conrad only ever captained one ship in his lifetime – the Otago. In a strange turn of events, the wreckage of Joseph Conrad’s ship now lies on the banks of the Derwent River in Hobart. And it's there that novelist Gail Jones took the inspiration for her latest novel, One Another. This week, Michael sits down with Gail for a wide-ranging discussion about desire, hauntings, and the life and work of Joseph Conrad.' (Production summary)

'When Nam Le’s debut book of short stories, The Boat, came out in 2008, it was met with unanimous praise and scooped up awards from around the world. Now, 16 years later, Nam has produced his follow up called 36 Ways to Write A Vietnamese Poem. This week, Michael sits down with Nam to discuss his latest work and the importance of violence in his conception of poetry and language.'  (Production summary)

'Anne Enright has been publishing books for more than two decades, winning numerous awards, including the Booker Prize for her 2007 novel, The Gathering. This week, Michael sits down with Anne for a wide-ranging conversation about the changing cultural context she is writing into, how a multiplicity of perspectives shape her work, and her latest book The Wren, The Wren.'  (Production summary)

'Star investigative journalist Louise Milligan has spent her career working on some of the most high-profile criminal cases in Australia. This incredible breadth of experience informs her first novel Pheasant’s Nest, which follows the abduction of a young journalist and provides a unique insight into the media, policing and politics that surround a crime like this. This week, Michael sits down with Louise to discuss the leap from reporting to fiction and why writing this book was a kind of therapy.' (Production summary)

'Morris Gleitzman is an Australian institution. A beloved author of novels for young people, Morris is known for his ability to be funny and warm without shying away from the realities of life. He has been writing for almost half a century now and has delighted generations of readers with his more than 40 books of fiction. This week, Michael and Morris sit down to reflect on Morris’s multi-generational impact and to discuss his latest novel, Tweet.' (Production summary)

'Winnie Dunn is used to being behind the scenes. As the general manager of Sweatshop Literacy Movement in Western Sydney, she has been instrumental in helping other writers find their voice. But now, the spotlight is on her. This week, Michael sits down with Winnie for a conversation about her debut novel, Dirt Poor Islanders. She reflects on the demonising narratives she had to fight and the piece of writing advice that she’d given to others that resonated for her.'  (Introduction)

'It was 2014 when Bruce Pascoe went from being a prolific, yet relatively unknown writer, to public enemy #1 in Australia’s culture wars. That was the year that Bruce published his now infamous book, Dark Emu, and its re-examination of accepted historical accounts of pre-invasion Australia. This week, he joins Michael for a discussion about his new novel Imperial Harvest and shares why he still believes we need the messiness of democracy.'  (Introduction)

'Gerald Murnane doesn’t have readers, he has acolytes. The New Yorker described him as “the reclusive giant of Australian letters”. He’s written 10 novels, several collections of short stories and essays, and a memoir about horse racing. Together these books represent one of the most formidable and singular bodies of work in literature. This week, Michael drives out to the Goroke golf course to chat with Gerald on his home turf.'  (Production summary)

'Dylin Hardcastle has been publishing their writing since they were 21, having now completed a memoir, a book of YA fiction and two novels. In their latest work, Dylin takes the reader back to 1972, and across three decades, explores the parallel lives of two women, shaped by their contrasting experiences of desire. This week, Michael sits down with Dylin Hardcastle for a wide-ranging conversation about this new novel, A Language of Limbs.' (Production summary)

'Michael Robotham began his career as a ghost writer, working on more than a dozen bestselling books for people like Tony Bullimore and Geri Halliwell, before he published a novel under his own name. Twenty years later, he has just released his 18th book, a new crime novel titled Storm Child. This week, the two Michaels sit down together for a conversation about crime writing, truth wizards and what’s next.'  (Production summary)

'Evie Wyld writes dark and often trauma-informed books, but she also has a remarkable capacity to capture the tenderness of memory. Her novels have been a critical and commercial success, with her second, All The Birds Singing, winning the Miles Franklin and her third, The Bass Rock, taking home the 2021 Stella Prize. This week, Michael sits down with Evie for a conversation about her latest book The Echoes, which explores how we tell stories around, and into the absences that define us.'  (Production summary)

'Alexis Wright’s 2023 novel Praiseworthy has just been awarded the Miles Franklin Award. It also won the Stella Prize and has been described as “an astonishing feat of storytelling and sovereign imagination.” In this special episode, Alexis joins Michael for a conversation about Praiseworthy and reveals why she decided very early on in her literary career that she wasn't going to be trapped in anyone’s box.'  (Production summary)

'Eric Beecher is a news man. As a journalist, he’s worked for some of the most well-respected newspapers in the world, including the Sydney Morning Herald and the Wall Street Journal. As his career progressed, Eric climbed the media ladder: he’s currently the head of Private Media, which runs the website, Crikey. This week, Michael sits down with Eric to discuss his new book, The Men Who Killed the News.' (Introduction)

'Rodney Hall might be the greatest Australian writer you’ve never heard of. He is a two-time Miles Franklin Award winner and has published dozens of books of fiction, poetry and memoir across his long career. Now 88, Rodney has just released his 14th novel titled Vortex and it might be his best. This week, Michael sits down with Rodney to discuss his new book and why writing is always a collaborative process between author and reader.' (Introduction)

'Malcolm Knox began his career as a journalist for the Sydney Morning Herald, back in the 90s. His breakout was in 2004 when, as literary editor, he broke the story of the fake Jordanian memoirist, Norma Khouri for which he won a Walkley Award. Since then he has written more than a dozen books of nonfiction and has been publishing fiction since 2000. The First Friend is his seventh novel.' (Production summary)

'Melanie Cheng began her writing career as an author of short stories. Her first collection, Australia Day, was published in 2017 to much acclaim. Her second novel, The Burrow, follows a Melbourne family forced to confront the tragedy of their shared past. This week, Michael sits down for a conversation with Melanie about family, connection, and the power of narrative medicine.'  (Production summary)