'I feel a sense of delight at the idea of an artist surreptitiously working in a science lab. There is something mischievous, rambunctious, even anarchistic about it. The idea of intervention. I have always thought that the disciplines that exist under the broad umbrellas of science and art are in some ways artificial necessities for the organisation of various institutions. Of course, science and art embody different ways of knowing, of epistemological knowledge-making, but there are forms of art that bleed together with scientific practice more so than two disciplines thought of as sciences – consider the techniques used in optical microscopy and cinematography (both lens based practices), versus geology and biomedical science (rocks versus the messy stuff of humans and disease).' (Introduction)