y separately published work icon Lilith periodical issue   peer reviewed assertion
Issue Details: First known date: 2023... no. 29 January 2023 of Lilith est. 1984 Lilith
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AbstractHistoryArchive Description

'The 2023 volume of Lilith is the first to be produced under the Managing Editorship  of  Alison  Downham  Moore,  a  global,  medical,  sexuality  and  gender historian from Western Sydney University who took over in September 2022 from Alana Piper. While Lilith has always been open to contributors from different world regions and authors working on any geographical or temporal  field  of  historical  studies,  this  volume  evinces  an  enrichment  of  Lilith’s  commitment  to  diversity  and  global  scope,  while  still  maintaining  its important base for emerging scholarship in Australian feminist historical studies. The past year has seen the Lilith Editorial Collective welcome several new members who have contributed to this introduction and shepherded the articles contained in this volume of the journal. We have also farewelled others,  including  Rachel  Caines,  Brydie  Kosmina,  Lauren  Samuelsson,  Jennifer Caligari, Kate Davison and Michelle Staff, whom we thank heartily for their service. Moore’s editorial stewardship and the new collective bring both  a  renewed  commitment  to  encouraging  underrepresented  voices  in  historical  writing,  including  First  Nations  voices,  providing  additional  support for scholars with first languages other than English, and extending a  new  experimental  invitation  to  consider  works  of  scholarship  in  novel  genres of writing for academic journals.' (Editorial introduction)

Notes

  • Contents indexed selectively.

Contents

* Contents derived from the 2023 version. Please note that other versions/publications may contain different contents. See the Publication Details.
"If You Loved Me, You'd Sleep with Me" : Constructions of Sexual Consent in 1970s 'Dolly' Magazine, Cassandra Byrnes , single work criticism

'This article examines the teenage experience of negotiating non-consensual sex as represented in 'Dolly' magazine in the 1970s. While advice columns in teen magazines were often seen to be providers of crucial information on sex, discussions on consent were rudimentary and lacked nuance as social and legal understandings of sexual violence were shifting. Using 'Dolly's' popular advice columns on sex and sexuality - 'Dolly Doctor' and 'What Should I Do?' - alongside feature articles from the 1970s, this research argues that non-consensual sex was constructed in ways that reinforced harmful understandings of perpetrators and victims. Perpetrators were imagined only as strangers who inflicted physical violence while committing rape, and victims could only be innocent girls who did not engage in sexual behaviours at all. When young women wrote in seeking advice from 'Dolly', non-consensual experiences were described by the reader but they were not deemed as such by the authoritative advice columnists. Instead, advice columnists engaged victim-blaming rhetoric and rarely acknowledged sexually coercive incidents within teenage relationships. There was considerable slippage at this time between notions of awkward teenage fumbling and coerced sex. Where previous research has examined women and children's experiences at this time, this article seeks to redress the gap in research on adolescent relationships, demonstrating that these nascent notions of consent from the 1970s permeated teenage lives too.' (Publication abstract)

(p. 11-30)
[Review] She and Her Pretty Friend, Nadia Bailey , single work review
— Review of She and Her Pretty Friend Danielle Scrimshaw , 2023 single work biography ;

 'In  this  hybrid  work  of  history  and  memoir,  writer  and  historian  Danielle  Scrimshaw examines the lives of queer women in Australia with a view to making this historically sidelined area of study both visible and accessible to a lay audience. Leaning on the work of historians such as Lucy Chesser, Joy  Damousi,  Ruth  Ford,  Rebecca  Jennings,  Sylvia  Martin,  Shirleene  Robinson  and  others,  Scrimshaw  takes  the  reader  on  a  journey  through  Australia’s  queer  past,  with  its  primary  period  of  interest  being  from  the  mid-nineteenth  century  to  the  1980s.  Across  twelve  chapters,  the  author  recounts  the  stories  of  Australian  women  who  led  queer  lives,  and  places  them  in  conversation  with  her  own  personal  history  and  lived  experience  as a young, queer woman in the present day.' (Introduction) 

(p. 213-214)
Review of: Staging a Revolution: When Betty Rocked the Pram, Emma Brennan , single work review
— Review of Staging a Revolution : When Betty Rocked the Pram Kath Kenny , 2022 multi chapter work criticism ;
 'Kath Kenny’s monograph is an invigorating history of the women’s play Betty Can Jump, performed at the Pram Factory in early 1970s Melbourne. Extended from her award-winning doctoral thesis on theatre and film groups of the Australian Women’s Liberation Movement (WLM), Staging a Revolution, an account of before, during, and the legacy of Betty, is a vivid and endearing contribution to cultural Australian and WLM historiography. Betty, and Kenny’s historicization of it, both sit outside typical Anglo male history. As Kenny emphasises, the collective, evolving, and ephemeral nature of feminist art during the WLM means these activisms can often be forgotten. Until now.' (Introduction) 
(p. 215-217)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 10 Jan 2024 08:20:41
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