Issue Details: First known date: 2023... 2023 The Golden and the Diamond Light : Lorena Carrington’s Fairy-Tale Illustrations
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AbstractHistoryArchive Description

'As the children of French expatriates in Australia, yo-yoing constantly between the two countries, my siblings and I grew up in two worlds. And part of that was expressed in different experiences of landscape. In Australia, we lived in Sydney, but my parents also bought a seven-acre bush block in the nearby Blue Mountains, not to build on, but simply to be in the bush. It was my father’s favorite place. We would go there on weekends, and Dad, machete in hand, would clear a path for us through the undergrowth down to the creek. There, we’d sit and eat Maman’s excellent picnic lunch, drink from a canvas waterbag my father had hung on a tree, and try to catch yabbies in the creek. There were dangers: the occasional bull ant or two (ouch!) and once or twice a snake caused much excitement but there were also sweet-voiced birds, and the odd kangaroo (though most of them kept away, given the racket a gaggle of lively kids created!). Back in France, in the southwestern village where we owned a beautiful old house, the nearby forest of Goujon was also a favorite family haunt. There in the green depths filled with birdsong, you might come across hares, rabbits, and hedgehogs and once, a curious young fox. There were dangers there, too—including the occasional viper, but most of all, our father told us, the forest of Goujon was reputed to be enchanted so we must on no account wander off or we might never find our way out again.'  (Introduction)

Notes

  • Author's note:

    A fairy-tale author discusses her inspiration and admiration for the fairy-tale illustrations of artist Lorena Carrington.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Marvels & Tales Transplanted Wonder : Australian Fairy Tale vol. 36 no. 1 2023 27285515 2023 periodical issue

    'Over the years, Marvels & Tales has included fairy-tale studies work from Australia, notably Rebecca-Anne C. Do Rozario’s essay “Australia’s Fairy Tales Illustrated in Print: Instances of Indigeneity, Colonization, and Suburbanization” (2011) and most recently Danielle Wood’s “Writing Baba Yaga into the Tasmanian Bush” (2019) and Kirstyn McDermott’s novelette “Braid” (2021). But given the current vitality of the genre and its study in Australia— also noted by Andrew Teverson’s The Fairy Tale World (2019) and signaled by the growth of the Australian Fairy Tale Society and its publication of its South of the Sun: Australian Fairy Tales for the 21st Century (2021)—we really wanted to offer our readers a broader and more in-depth sense of what distinguishes Australian fairy tales today and how they are inflected by Australia’s history, peoples, and landscapes. This special issue, “Transplanted Wonder: Australian Fairy Tale,” does just that in its mapping of fairy-tale history in Australia, current transformations of the genre, and its reflections on issues of indigeneity, colonialism, gender, and place. Coeditors of “Transplanted Wonder: Australian Fairy Tale” Michelle J. Smith and Emma Whatman’s insight, collaborative approach, and hard work shaped this issue, and we thank them for their vision and persistence. The pandemic’s ravages are hardly over; in Australia the pandemic meant lockdowns for a good part of the time this special issue was in the works and all kinds of unpredictable challenges. Despite all this, the guest editors brought together a substantive and thought-provoking issue that delightfully includes analysis of fairy tales for different audiences and in various media. We are looking forward to future opportunities to continue to broaden the scope of scholarship on Australian fairy tales in our journal.' (Editorial)

    2023
    pg. 98-99
Last amended 15 Dec 2023 12:43:47
98-99 The Golden and the Diamond Light : Lorena Carrington’s Fairy-Tale Illustrationssmall AustLit logo Marvels & Tales
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