'Bindi (2020), by Gunai poet and children’s author Kirli Saunders, is a verse novel dedicated to “those who plant trees.” Told from the perspective of eleven-year-old Bindi, it is a story of a community caring for Country, while experiencing and recovering from a bushfire. The planting of she-oak seedlings forms the core of the narrative and provides a structure: the verse novel’s three parts are named “Seedlings,” “Cinders,” and “Sprouts.” While Anglophone Australian poetry traditionally depicts the voice of the wind in the sighing branches of the she-oak tree as mournful, the pods of she-oak trees are the only food of the threatened glossy black cockatoo, and in Bindi, the trees are connected with hope and resilience. The “vegetal hope” manifest in Bindi is connected to the materiality, culture and ecology of plants, not just their symbolic function, and is underscored by the use of Gundungurra words within the poems. Drawing on John Charles Ryan’s approaches to vegetal poetics and Palyku writers Gladys and Jill Milroy’s essay “Different Ways of Knowing: Trees Are Our Family Too” (2008), this chapter argues that she-oak trees in Bindi function as material and semiotic agents of hope.' (Publication abstract)