Cirrus@Austlit

'In today’s episode, listen to the shortlisted poets for the 2022 Peter Porter Poetry Prize – Chris Arnold, Dan Disney, Michael Farrell, Anthony Lawrence, and Debbie Lim – read their poems. This year, our judges Sarah Holland-Batt, Jaya Savige, and Anders Villani had 1,330 poems to assess. In their comments, they write: ‘The five accomplished shortlisted poems each share a narrative bent, a focus on form (four out of five are stanzaic), and a capacity to startle and surprise with vivid imagery, linguistic torque, humour, and juxtaposition.’' (Production summary)

'‘I would like to write about dominance, revulsion, separation, the horrible struggles between people who love each other,’ wrote Helen Garner, foreshadowing How to End a Story, the final instalment of her published diaries, following Yellow Notebook (2019) and One Day I’ll Remember This (2020). While the first two volumes spanned eight years apiece, How to End a Story spans only three. Starting in 1995, shortly after the release of Garner’s The First Stone, it details the dissolution of her marriage to another writer, V. As Lisa Gorton notes, this volume differs from its precursors both in tone and focus: ‘This one is as compelling as a detective story. This one is edited with the sense of an ending.’ (Production summary)

'For his sins, Peter Rose has always kept a diary. Over the years, ABR has occasionally published extracts, which have tended to consist of annual highlights laced with gossip and humour. The 2021 instalment is rather different in tone. The lockdowns occasioned by the pandemic also coincided with a marked deterioration in the health of his mother, who moved into aged care in March last year. 

'In this episode of the ABR podcast, Rose reads diary extracts from January until June (July to December will follow in a subsequent episode), documenting the anguish and impotence that go with being a carer under lockdown – as well as the volatile unconscious life of these feelings. Mordant and moving in equal measure, this selection offers a glimpse into both the waking life of an editor and his dreaming one.' (Production summary)

'We can learn much about a culture by listening to how it talks about its art. The way non-white writers, for want of a better phrase, tend to be reviewed in Australia tells us a lot about how we determine cultural value. Some reviewers place a premium on the author’s biography – her identity – rather than on her work itself. The reviewer avoids critical engagement with the text in favour of a kind of reverential praise of its political messaging. This messaging isn’t necessarily determined by the content of the work, but rather by a mistaken conflation of the work with the author’s cultural identity. It’s a kind of habit, a reflexive way of reading literature, especially literature by non-white authors, as if the mere act of writing a book were fundamentally and inevitably political – or, as they say, an ‘act of resistance’.' 

'In this special episode of The ABR Podcast, Peter Rose reads the second and concluding instalment of his 2021 diary, taking us from July to December. These entries continue his chronicle of life under rolling lockdowns – not only for himself, but also for his mother, Elsie, who had moved into aged care earlier that year because of her declining health. Against the arrhythmic schedule of closures and prohibitions, faint tracings of the pre-pandemical world appear: birthday celebrations, an English batting collapse, email trouble, a high five. Written under a cloud of personal and collective uncertainty, these diaries record a son’s observance of his mother’s last days. Elsie Rose died at the age of ninety-five on 15 March 2022.' (Production summary)

'Few phrases captured the atmosphere of lethargy and disorientation in which many of us lived under lockdown as much as ‘brain fog’. The term has come to denote a whole range of symptoms – from fatigue and forgetfulness to anxiety and an inability to focus – that serve as an historical marker for our Covid moment. Yet, as literary scholar Thomas H. Ford observes, the malaise is far from unique to the twenty-first century. In this episode of The ABR Podcast, listen to Ford as he traces the history of cognitive fuzziness, revealing the persistent concerns about mental overwork for which ‘brain fog’ is only the latest diagnosis.'  (Production summary))

'The Gough Whitlam and Malcom Fraser Chair of Australian Studies was established at Harvard University in 1976 as a diplomatic gift marking the bicentenary of the American Revolution. It was also part of a global strategic initiative that saw Australian Studies visiting professorships spring up in places from Dublin and Copenhagen to Tokyo and Beijing. While not all such professorships have fared equally well, the Harvard Chair of Australian Studies has been bolstered by the financial largesse of its host institution as well as by its record of strong recruitment. In this episode of The ABR Podcast, Joan Beaumont reflects on the history of this unique institutional arrangement and what it might help us see about both the place of Australian studies in a global context and the future of collaborative research.' (Production introduction)

(Production introduction)

The Writers on Writers series aims to tease some of Australia’s literary treasures out of the Aladdin’s cave of canonicity. A collaboration between publisher Black Inc., the University of Melbourne, and the State Library of Victoria, it began in 2017 with Alice Pung’s book on John Marsden and Erik Jensen’s on Kate Jennings. The series now boasts eleven titles, the most recent of which is Sean O’Beirne’s book on Helen Garner. In this week’s episode of The ABR Podcast, Beejay Silcox points out the difficulty of pairing any writer with Garner, who ‘deserves a well-armed opponent, not an acolyte’. For Silcox, this latest instalment encapsulates the idiosyncrasies of the entire series of ‘not quite memoirs and not quite primers’ – idiosyncrasies that have perhaps ‘set [O’Beirne] up to fail’.(Production introduction)

'Ann-Marie Priest’s My Tongue Is My Own, published by La Trobe University Press and reviewed in our June issue, is the first authorised biography of the Australian poet Gwen Harwood (1920–1995). Unsurprisingly, this was not the first attempt to record the life of one of Australia’s most loved and admired poets. In an exclusive feature for ABR, John Harwood reflects on the conflicting motives behind his literary executorship of his mother’s estate – an estate holding the secrets to an at-times fractious marriage between two opposing temperaments.

'It’s a candid, fascinating addition to the vast literature surrounding Ian Hamilton’s Keepers of the Flame (1992) and the knotty ethics of literary biography.

'John Harwood has written poetry, fiction, biography, environmental journalism, literary criticism, and satire. His novels The Ghost Writer (2004), The Séance (2008), and The Asylum (2012) have been translated into several languages and won several awards. 

'This commentary is generously supported by the Copyright Agency’s Cultural Fund.' (Production summary)

'The runner-up in this year’s Calibre Essay Prize, Sarah Gory’s essay ‘Ghosts, Ghosts Everywhere’ confronts spectres of the past in order to pose questions about how to live ethically in the present and about what responsibilities we bear towards the future. Drawing on a wide range of writers and thinkers as well as her grandfather’s experience of the Holocaust, Gory plots the process by which one generation’s traumatic suffering becomes another’s imaginative investment. As Gory observes, rituals of memorialisation, public and private, are beset on all sides by the snares of forgetfulness, by the temptation to ‘relegat[e] to the past what is ongoing’. Shifting between recollection and rumination, the essay refuses to yield to this temptation, proceeding through a series of fragments, ghostly demarcations of historical patterns that continue to repeat.' (Introduction)

'In this year’s ABR Elizabeth Jolley Short Story prize, we received more than 1,300 entries from thirty-six different countries, a testament to ongoing international interest in the Jolley Prize and ABR. Writers explored themes and topics including the pandemic, climate change, grief, desire, parenthood, and community. In this week’s podcast, the three finalists read their shortlisted stories: ‘Dog Park’ by Nina Cullen, ‘Natural Wonder’ by Tracy Ellis, and ‘Whale Fall’ by C.J. Garrow. They are briefly introduced by Jolley Prize judge and ABR Deputy Editor, Amy Baillieu. A more detailed judges’ report on the three shortlisted stories is available on our website, along with the details of the fourteen longlisted stories.' (Introduction)

'In our October issue ABR Editor and award-winning memoirist Peter Rose reviews Childhood, a remarkable new memoir by Adelaide critic and writer Shannon Burns in which Burns relates the story of a childhood and adolescence spent in great poverty and neglect. 

'In this week’s episode of the ABR Podcast, listen to Peter Rose and Shannon Burns in conversation.' (Publication summary)

'In this week’s ABR podcast, listen to Ronan McDonald discuss one hundred years of James Joyce’s Ulysses, among the most famous books of the twentieth century. McDonald, who is the Gerry Higgins Chair in Irish Studies at Melbourne University, explains that Ulysses is a work with a complex publishing history, even setting aside its censorship record. To mark the Ulysses centenary, Cambridge University Press has republished a splendid facsimile of the original version of Ulysses, raising new questions about the book we thought we knew ' (Production summary)

'This week’s ABR Podcast features Anne Rutherford’s review of the new SBS miniseries The Australian Wars, published in the November issue of ABR. Directed by Arrernte and Kalkadoon woman Rachel Perkins, the series is an attempt to recast Australian frontier conflict by posing new questions. Echoing Perkins, Rutherford asks: ‘Why is the extreme violence of the frontier not recognised as war?’ and ‘Why is the death of an estimated 100,000 people on the frontier, both black and white, not acknowledged and memorialised?’ ' (Production summary) 

'In this week’s ABR podcast, Amanda Laugesen asks what the word ‘bogan’ says about Australian culture and society. Laugesen, who is Chief Editor of The Australian National Dictionary, explains the history of the word and its derivatives, including boganity. Listen to Amanda Laugesen’s reading ‘On Boganism’, which appears in the November 2022 issue of ABR.' (Production summary)

'Lachlan Murdoch will almost certainly be the next head of News Corp, one of the world’s largest media companies and the dominant force in Australia’s media landscape. In this week’s ABR Podcast, Patrick Mullins, visiting fellow at the ANU’s National Centre of Biography, reviews a new biography of Lachlan Murdoch by Paddy Manning, titled The Successor: The high-stakes life of Lachlan Murdoch. Listen to Mullins read ‘Dual Focus’, which appears in the December issue of ABR.' (Introduction)

'This week’s episode of the ABR podcast is devoted to the Books of the Year. ABR Editor Peter Rose, critic and writer Beejay Silcox and historian Frank Bongiorno discuss the books that stirred them most in 2022. This follows a Books of the Year feature in the December issue of ABR, with contributions from thirty-six writers and critics. Listen to Peter Rose, Beejay Silcox and Frank Bongiorno discuss the best books of 2022.' (Introduction)

'This week we draw on ABR’s expanding digital archive and head back to December 2010, when ABR Editor Peter Rose wrote at length about E.M. Forster, author of novels such as Howards End and A Room with a View. In this podcast, Rose discusses Wendy Moffat’s biography of Forster, before roaming more widely to revisit those influential novels and dipping into the immense Forster literature – and the even more gargantuan literature of Bloomsbury, of which Forster was a peripheral and somewhat wary member.' (Introduction)