'In April 2016 Gwenn Tasker and Angela Gardner went to a circus performance by Circa Ensemble called when one door closes at the Brisbane Powerhouse, during which Gwenn drew and Angela wrote. We sat in the front row and, as one reviewer wrote,2 it was a brutal, intensely physical show highlighting feminist opposition to domestic violence. In the audience it felt influenced by Antonin Artaud’s Theatre of Cruelty as if by violent assault the work intended to shatter a comfortably false reality. As physical theatre, it was beautiful, disturbing and mesmerising, exhibiting moments of poise and balance, of pattern and repetition.' (Introduction)