'In an era of sentences that trend not only towards our laziest tendencies but also towards the speed and rhythm of our economy: the elevator pitch sentence, the jump-cut sentence, the news hook sentence, the perfectly manscaped short back and sides sentence, in short the short sentence; a long sentence is antiseptic, so much so that defending its intrinsic value has become something of a moral duty.' (Introduction)
'In Childhood, Shannon Burns quickly turns to speculation about why he, ‘a child of the welfare class’, managed, after his tumultuous early years, to find an exit route into the educated middle class, especially where many of his family members have not. I know for a fact that this is a question that plagues many people who grew up in similar circumstances to Burns, and it’s a question that I have posed and attempted to answer myself. It is precisely this analytical bent that drives us to have written these kinds of books, often clumsily dubbed trauma memoirs, in the first place.' (Introduction)
'ART is the second collaborative poetry yarn from Yamatji poet, scholar, artist and activist Charmaine Papertalk Green and settler poet John Kinsella. This yarn is distinct from but builds on the rigorous and timely dialogue the two authors began in False Claims of Colonial Thieves (2018). Like False Claims, ART is a collaborative work, where each poet works in tandem in a seamless discussion that is simultaneously a sovereign conversation and a critique of nation. Papertalk Green and Kinsella showcase their poetic talents in a dynamic exchange that responds to the artistic offerings of the late Nyoongar painter Shane Pickett (1957-2010).' (Introduction)
