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Appears in:
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A/b : Auto/Biography Studies
vol.
35
no.
1
2020
26447354
2020
periodical issue
'Two images locate this special issue. The first is the portrait on the cover of “Life Writing in the Anthropocene,” from Anna Laurent’s immersive installation Flora: Exploration to Extinction. This site-specific installation was commissioned for the corridors of the Exhibitionist Hotel in South Kensington, London, in 2018. Arranged on the saturated color of the emerald walls, the gilt frames emphasize the portrait presentation of black silhouettes of species of extinct or endangered flora, each accompanied by an information panel including the plant name, native ecology, and ecological pressures. Laurent chose black silhouettes to signify the absence of these plants in the landscape, as well as a historical reference to conventions of Victorian portraiture and nineteenth-century plant exploration, a period during which “species traveled the globe and luxurious images of flora were fetishized,” particularly in an era of perceived ecological abundance.1 Here, the gilt frames are surrounded by dried seed heads and leaves, preserved relics of plant life that are spray-painted gold. The specific silhouette we have selected for the cover is the miniature cactus Biznaguita (Mammillaria sanchez-mejoradae), which is endemic to one location in Neuvo León, Mexico. Its population has reduced by seventy-five percent in fifteen years and it is at risk of extinction due to illegal collection and climate change.' (Jessica White and Gillian Whitlock Introduction)
2020
pg.
207-229
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