'This chapter focuses on three late-career Carey novels, namely My Life as a Fake, Parrot and Olivier in America, and Amnesia, on the thread to complete my analysis of Carey’s ongoing engagement in and around his fiction with the status of the Australian author in the transnational literary marketplace. Carey’s visibility in this period is marked by his shifting position in relation to the globalising publishing industry, the rise of digital publishing, and the mutations of academic and political recognition into convertible cultural capital in the literary field. These changes in practice and modes of recognition are analogous with the aggressive move towards monopoly capitalism by corporate systems in liberal democracies, including Australia.' (Publication abstract)