'The first full-length history of rock journalism in Australia
'For over fifty years, Australia has maintained its own rock press - a vibrant, passionate, sometimes volatile industry of dozens of papers and magazines committed to the coverage of the country's robust music scene.
'From the glossy and glamorous to the punk and pernicious, these publications were the medium that brought Australian music culture to international attention and launched the careers of countless musicians, as well as writers, editors and photographers. Go-Set started it all; Rolling Stone Australia, RAM and Juke defined their eras; music newspapers like Beat and Inpress brought indie music to the streets; and sites like Mess+Noise, Tone Deaf and Junkee harnessed the digital age.
'Drawing on comprehensive research and dozens of interviews with key figures such as Molly Meldrum, Phillip Frazer and Lily Brett, journalist Samuel Fell captures the vibrancy of music journalism in Australia with colourful anecdotes and surprising stories. Full Coverage is the tale of how the Australian rock press was born, grew and evolved to become an integral part of Australian culture.' (Publication summary)
'In the film Almost Famous (2000), director Cameron Crowe’s alter ego, fifteen-year-old William Miller, doggedly pursues his dream of breaking into rock journalism. He cold-calls legendary music journalist Lester Bangs (marvellously played by a dishevelled Philip Seymour Hoffman). Next thing we know, he is commissioned by Rolling Stone editor Ben Fong-Torres to head out on the road with fictitious band Stillwater to write a story that ends up on the cover of Rolling Stone. If only it were that easy.' (Introduction)
'The story of Australian rock journalism is a wild ride of luck, tenacity and incredulity.'
'In the film Almost Famous (2000), director Cameron Crowe’s alter ego, fifteen-year-old William Miller, doggedly pursues his dream of breaking into rock journalism. He cold-calls legendary music journalist Lester Bangs (marvellously played by a dishevelled Philip Seymour Hoffman). Next thing we know, he is commissioned by Rolling Stone editor Ben Fong-Torres to head out on the road with fictitious band Stillwater to write a story that ends up on the cover of Rolling Stone. If only it were that easy.' (Introduction)
'The story of Australian rock journalism is a wild ride of luck, tenacity and incredulity.'
