'It is difficult to overvalue the currency of modernism right now. Over the last decade, a plethora of scholarly writers have addressed modernism’s imperial legacies and in so doing have extended its geographic and temporal boundaries. Contemporary writers such as Tom McCarthy, Zadie Smith, Sophie Cunningham and Jack Cox have also engaged in varied ways with modernism’s aesthetic and revolutionary bequests. Michelle Cahill’s debut novel, Daisy & Woolf, is preoccupied with Virginia Woolf’s portrayal of a Eurasian character, Daisy Simmons, in Mrs Dalloway. ' (Introduction)