'Irreverent, witty and wise, But the Girl is a campus novel set off campus, and a coming-of-age story about not wanting to leave your family behind
'I used to have this line I saved and brought out for grant applications and writers festivals - that having been Jane Eyre, Anna Karenina and Esther Greenwood all my life, my writing was an opportunity for the reader to have to be me
'Girl was born on the very day her parents and grandmother immigrated from Malaysia to Australia. The story goes that her mother held on tight to her pelvic muscles in an effort to gift her the privilege of an Australian passport. But it's hard to be the embodiment of all your family's hopes and dreams, especially in a country that's hostile to your very existence.
'When Girl receives a scholarship to travel to the UK, she is finally free for the first time. In the gilded rooms of London and then Scotland she is meant to be working on a PhD on Sylvia Plath and writing a postcolonial novel. But Girl can't stop thinking about her upbringing and the stories of the people who raised her. How can she reconcile their expectations with her lived reality? Did Sylvia Plath have this problem? What even is a 'postcolonial novel'? And what if the story of becoming yourself is not about carving out a new identity, but learning to understand the people who made you who you are?' (Publication summary)
'Jessica Zhan Mei Yu’s novel But The Girl (2023) is the story of protagonist and narrator “Girl”, as she embarks on a study abroad experience in the UK while immersing herself in British culture, contemplating her thesis, attempting to write her novel, and sharing her innermost thoughts with the reader. Yu’s novel possesses intimate autofictional narration, inspired by the oeuvre of Sylvia Plath and animated by intertextual allusions to her work. But The Girl explores various other subjects, from the creative process to the Malaysian-Australian experience; however, Yu brings personality and uniqueness to this novel by examining femininity in the postmodern and postcolonial context while commenting on the Australian “cultural cringe”.' (Introduction)
'This delightful debut is a literary coming-of-age story.'
'Many contemporary novels adamantly refuse readers a pleasurable reading experience – with clunky prose and a cloying earnestness. But life’s too short for boring books.' (Introduction)
'Many contemporary novels adamantly refuse readers a pleasurable reading experience – with clunky prose and a cloying earnestness. But life’s too short for boring books.' (Introduction)
'This delightful debut is a literary coming-of-age story.'
'Jessica Zhan Mei Yu’s novel But The Girl (2023) is the story of protagonist and narrator “Girl”, as she embarks on a study abroad experience in the UK while immersing herself in British culture, contemplating her thesis, attempting to write her novel, and sharing her innermost thoughts with the reader. Yu’s novel possesses intimate autofictional narration, inspired by the oeuvre of Sylvia Plath and animated by intertextual allusions to her work. But The Girl explores various other subjects, from the creative process to the Malaysian-Australian experience; however, Yu brings personality and uniqueness to this novel by examining femininity in the postmodern and postcolonial context while commenting on the Australian “cultural cringe”.' (Introduction)
