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Issue Details: First known date: 2023... 2023 Beastly Modernisms : The Figure of the Animal in Modernist Literature and Culture
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AbstractHistoryArchive Description

'The intersection of modernist studies and critical animal studies is a new, progressive field that raises crucial questions about what it means to live with animals in modernity. Beastly Modernisms gathers essays from leading figures in the field alongside emerging scholars who, together, revisit canonical figures and decentre the canons and geographies of modernism. Grounded in interdisciplinary approaches, the contributions work with cultural history and theoretical frameworks to unearth the multispecies dynamics of twentieth-century literature and culture.

'The chapters in Beastly Modernisms present a diverse range of approaches and topics, exploring dogs in Virginia Woolf to Republican China, animals and gender in surrealism to African-American texts, Sámi reindeer to rat propaganda, modernist jellyfish to metamodernist beasts, 1940s poetry to Indian Partition stories, charting the current and future state of modernist animal studies.' (Publication summary)

Notes

  • Contents indexed selectively.

Contents

* Contents derived from the Edinburgh,
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Scotland,
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United Kingdom (UK),
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Western Europe, Europe,
:
Edinburgh University Press , 2023 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Canine Companions, Race and Affective Anthropomorphism in Florence Ayscough’s The Autobiography of a Chinese Dog (1926) and Mary Gaunt’s A Broken Journey (1919), Juanjuan Wu , single work criticism (p. 56-72)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 12 Mar 2024 10:11:54
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