'British sculptor Barbara Hepworth wrote that ‘there is no landscape without the human figure’. Similarly, there is no human without the landscape in which they are situated, human and landscape mutually shaping, resisting and defining the other.
'Three new Australian novels probe this interdependence, each of them concerned with the historical forces that have silenced and confined women, and each of them testing the capacity of their female characters to assert their stories, their selfhood, in the face of a hostile and unfamiliar landscape. Critically, what differentiates the novels is the degree to which their authors discover within these environments a similitude with their characters’ emotional struggle, the landscape not merely adorning the narrative but becoming essential to it.'(Introduction)
'British sculptor Barbara Hepworth wrote that ‘there is no landscape without the human figure’. Similarly, there is no human without the landscape in which they are situated, human and landscape mutually shaping, resisting and defining the other.
'Three new Australian novels probe this interdependence, each of them concerned with the historical forces that have silenced and confined women, and each of them testing the capacity of their female characters to assert their stories, their selfhood, in the face of a hostile and unfamiliar landscape. Critically, what differentiates the novels is the degree to which their authors discover within these environments a similitude with their characters’ emotional struggle, the landscape not merely adorning the narrative but becoming essential to it.'(Introduction)
