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Appears in:
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y
Lilith
no.
28
December
2022
25968879
2022
periodical issue
'What is the ‘new normal’? What does it mean to live in the world ‘post-Covid’? These are not new questions; they are questions that have been asked—sometimes hopefully, sometimes in mourning—since 11 March 2020 when the World Health Organization (WHO) declared Covid-19 to be a pandemic. In characterising Covid-19 as a global pandemic WHO Director-General Tedros Adhanom Ghebreyesus made the following remarks: ‘Pandemic is not a word to use lightly or carelessly. It’s a word that, if misused, can cause unreasonable fear, or unjustifiable acceptance that the fight is over, leading to unnecessary suffering and death’.1 Words, as Ghebreyesus’s statement signals, shape our orientation within the historical event. To use ‘pandemic’ (rather than, say, epidemic or public health emergency) instills particular moods, behaviours, and political, social and cultural responses. Over the past eight months, as this issue has come together, the language around Covid-19 has shifted. We are now ostensibly living in a ‘post-Covid’ world despite case numbers placing pressure on healthcare systems, numbers of fatalities continuing to climb, the emergence of new variants and the social, economic and political impacts of the pandemic being far from over. Compounding this sense of being ‘after’ Covid is the political rhetoric around the pandemic: Australia’s political leadership in 2022 has presented a narrative of Covid-19 that lives ‘in the past tense’.2 In this context, we highlight Ghebreyesus’s words from what seems like a long time ago at the outset of this issue for several reasons. First, because the questions of living in a ‘post-Covid’ world are ongoing, and will continue for many years to come, and historians—particularly feminist historians—must address these questions. Secondly, because the ubiquity of the conversation of what the ‘post-Covid’ world will look like evokes long discussions from scholars about the prefix ‘post-’ in political rhetoric.' (Editorial introduction)
2022
pg.
163 - 165
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- My Body Keeps Your Secrets 2021 single work autobiography biography
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