Cirrus@Austlit

'In the early sixteenth century, the Italian Renaissance poet and philosopher Giulio Camillo conceived an imaginary structure for universal knowledge named The Theatre of Memory; essentially a classical amphitheatre that inverted the position of spectator and stage, turning the auditorium into a tiered structure that fanned into rows of encyclopedic knowledge. Imants Tillers makes no mention of Camillo’s theatre in his anthology of essays, Credo, but the structure could be a parallel schema for his own expansive project The Book of Power – an ongoing inventory of all the canvas board panels Tillers has painted since 1981, which totalled 102,663 by 2018.' (Introduction)