'Why We Are Here is a love story revelling in the beauty and solace of the natural world, embracing the bonds between humans and celebrating the empathy and wisdom provided by dogs.
'When life knocks you down, have faith in Dog.
'After her partner and father die in quick succession, BB moves to a glamorous, condemned beachside apartment at the edge of a glittering city so memory-saturated it might be a mirage. Her plan? To rediscover the person she was before finding, and losing, the love of her life. To heal she’ll party like it’s 1999, walk her motley dog, Baby, and surrender to the simple joys of life alone by the sea.
'When a neighbour mistakes her for a dog trainer, and enlists her in correcting the murderous tendencies of his Doberman, BB feels close to a meaningful new life. Harnessing the tenets of Cesar Millan the dog whisperer, and other less canine-centric canons, she helps local dogs and their wealthy, oblivious owners to distinguish between the things they can and cannot change. She even takes tentative steps towards new intimacies—with safely unavailable Franz, and sultry, free-spirited Vera.
'But life in Balboa Bay is increasingly surreal. Baby is sending telepathic messages. A nearby prison quotes philosophers over the intercom. The other dog trainers think BB is scab labour. And somewhere on her street there's a dog that sounds like the wind.
'Cinematic, heart-breaking, often hilarious, Why We Are Here is a singular love story for strange days. Doyle's witty prose revels in the solace of the natural world, in conversing with writers who have lost and endured, and above all in the profound connection between a woman and her dog.' (Publication summary)
No Dogs Die in Briohny Doyle's New Novel
Michael Williams
(presenter),
2024
27637500
2024
single work
podcast
'This week, Michael chats with author Briohny Doyle, whose most recent novel Why We Are Here explores the complexities of grief, both individual and collective. They discuss the role of writing during the pandemic and how relationships with non-human others enable us to access repressed parts of ourselves.' (Production summary)
'A hilarious and devastating window into the transformative impacts of love and grief.'
'Gretchen Shirm’s The Crying Room and Briohny Doyle’s Why We Are Here share a preoccupation with death and grief and what it means to live on, without intimate others, during a climate crisis. Both novels feature protagonists who lose parents and partners, and both explore their themes via writer-narrators who are producing fictions.' (Introduction)
'In Briohny Doyle’s fourth book, a writer called BB has lost both her partner and father in close succession, and, in the aftermath of their deaths, experiences the first wave of pandemic lockdowns. Certain that further quarantine will see her petrified in viscous grief—that she will ‘crawl out of [her] share-house bedroom an old woman in a post-apocalyptic ruin’—she retreats to a beachfront rental above a condemned shop in the seaside area of Balboa Bay. Her plan is to heal by the ocean, ‘weightless and untethered for a short time’, before returning to real life.' (Introduction)
'Clairaudience, says the Macquarie dictionary, is the alleged power of hearing voices of ‘spirits’, or sounds inaudible to normal ears. The protagonist of Why We Are Here is not a psychic, but she is an aspiring dog-whisperer, and her landscape is punctuated with muted strains of grief as she mourns the loss of her father and partner during the pandemic. In the absence of others, she ‘hears’ the voices of her loved ones. Her partner is deified in biblical pronouns, with ‘He’ and ‘His’ capitalised. ‘I never met Him then, but I love, love, love that child,’ she writes of her partner’s young self. Her father, also, has a distinct voice and character that weaves into BB’s narration. With her dog, a subtle inversion takes place. The name BB derives from the Spanish ‘Bebe’, which also means ‘baby’. BB’s voice is acerbic and tender, wryly observant, unmistakeably human. Baby the dog’s voice comes in staccato spurts of commands, evocative of the dialogue from The Animals in That Country by Laura Jean McKay. The exception to this is a surprisingly affecting monologue by Baby at the conclusion of Why We Are Here. ‘I know that I was not always like this,’ the dog telegraphs.' (Introduction)
'Briohny Doyle’s third novel, Why We Are Here, threads together just about every literary, philosophical, and pop culture perspective on death and aftermath there is. But nothing represents the heart of the book better than its exploration of both/and thinking. Embraced by the fields of business, psychology, and beyond, both/and thinking is a method of overcoming paradoxes, not by solving them but by honouring how two apparently contradictory truths can co-exist. There’s no explaining the singular effect of this book without it.'(Introduction)
'Clairaudience, says the Macquarie dictionary, is the alleged power of hearing voices of ‘spirits’, or sounds inaudible to normal ears. The protagonist of Why We Are Here is not a psychic, but she is an aspiring dog-whisperer, and her landscape is punctuated with muted strains of grief as she mourns the loss of her father and partner during the pandemic. In the absence of others, she ‘hears’ the voices of her loved ones. Her partner is deified in biblical pronouns, with ‘He’ and ‘His’ capitalised. ‘I never met Him then, but I love, love, love that child,’ she writes of her partner’s young self. Her father, also, has a distinct voice and character that weaves into BB’s narration. With her dog, a subtle inversion takes place. The name BB derives from the Spanish ‘Bebe’, which also means ‘baby’. BB’s voice is acerbic and tender, wryly observant, unmistakeably human. Baby the dog’s voice comes in staccato spurts of commands, evocative of the dialogue from The Animals in That Country by Laura Jean McKay. The exception to this is a surprisingly affecting monologue by Baby at the conclusion of Why We Are Here. ‘I know that I was not always like this,’ the dog telegraphs.' (Introduction)
'In Briohny Doyle’s fourth book, a writer called BB has lost both her partner and father in close succession, and, in the aftermath of their deaths, experiences the first wave of pandemic lockdowns. Certain that further quarantine will see her petrified in viscous grief—that she will ‘crawl out of [her] share-house bedroom an old woman in a post-apocalyptic ruin’—she retreats to a beachfront rental above a condemned shop in the seaside area of Balboa Bay. Her plan is to heal by the ocean, ‘weightless and untethered for a short time’, before returning to real life.' (Introduction)
Briohny Doyle on Elegy, Time and the Non-human World
Astrid Edwards
(interviewer),
2023
26811744
2023
single work
podcast
interview
No Dogs Die in Briohny Doyle's New Novel
Michael Williams
(presenter),
2024
27637500
2024
single work
podcast
'This week, Michael chats with author Briohny Doyle, whose most recent novel Why We Are Here explores the complexities of grief, both individual and collective. They discuss the role of writing during the pandemic and how relationships with non-human others enable us to access repressed parts of ourselves.' (Production summary)
