Oliver Gough Oliver Gough i(25760696 works by)
Gender: Male
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Works By

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1 [Review] Towards an Ecocritical Theatre: Playing the Anthropocene Oliver Gough , 2023 single work review
— Appears in: Australasian Drama Studies , 1 October no. 83 2023; (p. 284-292)
— Review of Towards an Ecocritical Theatre : Playing the Anthropocene Mohebat Ahmadi , 2022 multi chapter work criticism 'Mohebat Ahmadi’s Towards an Ecocritical Theatre: Playing the Anthropocene offers a significant contribution to the rapidly expanding field of ecocriticism and scholarship on theatrical representations of the Anthropocene. The book argues for the ecocritical potential of theatre and performance that foregrounds the non-human via diverse and thorough formal innovations that ultimately destabilise anthropocentrism. This argument is supported by close textual and critical analysis of plays and performances from various contexts in the Anglophone sphere. Ahmadi examines works by Caryl Churchill, Stephen Sewell, Andrew Bovell, E.M. Lewis, Chantal Bilodeau, Jordan Hall and Miwa Matreyek, through an ecocritical lens, finding within them ‘a radical rethinking of some of the principal assumptions made about human–nonhuman relationship’ (4). For Ahmadi, interrogation of this relationship is at the core of truly ecocritical drama, and central to the ‘Anthropocentric turn in theatre and performance’ (200) which the book traces and contends.' 

(Introduction)
1 Laughing and Crying : Absurdist Theatre, Science and Climate Crisis Oliver Gough , 2022 single work essay
— Appears in: Science Write Now , August no. 7 2022;

'Rapidly rising sea levels and temperatures, erratic and severe weather: we have made nature uncanny, broken and unpredictable. In his book Dark Ecology, eco-critical philosopher Tim Morton describes global warming as a “wicked problem for which time is running out, for which there is no central authority; those seeking the solution are also creating it” (37). Our modern plot has dark irony and repetition, paradox and illogic. The Anthropocene is absurdist.' (Introduction)
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