SYSTEM_ERROR single work   prose  
Issue Details: First known date: 2022... 2022 SYSTEM_ERROR
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AbstractHistoryArchive Description

'‘SYSTEM_ERROR’ is an interactive generative poem which explores the fracture of digital selfhood in a time of global crisis. With the aid of generative text software library Tracery, the speaker is presented as an unstable AI speaking to the reader via dialogue boxes reminiscent of operating system pop-ups, which invoke ongoing existential threats or “system errors” for humanity including pandemic disease, media propaganda, technocapitalism and the collapse of global ecological systems. The generative and interactive components of ‘SYSTEM_ERROR’ seek to complicate notions of a divide between the real and digital worlds. While the traditional action with a dialogue box is to close it, each attempt to dismiss the speaker produces more laments, questions and accusations. The subversion of expected agency over pop-ups recalls the struggle to escape reminders of real-world crises within digital media environments. Blending first and second person pronouns in the fragments also suggest a growing entanglement between the digital world of the artificial speaker and the physical world of the reader. Readers are trapped in an endless loop of existential terror – if left unattended the speaker eventually acts without prompt, deteriorating into an incomprehensible stream of text.'

(Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon TEXT Special Issue Digital Realism no. 69 2022 25658613 2022 periodical issue 'The COVID-19 pandemic has seen a heavy reliance on digital technologies: workplaces and classrooms have retreated to Zoom meetings; online video game narratives and streaming services have become a staple of contemporary entertainment; and social media pervades our life and seeks to distract us at every turn. Existence is now infused with non-human computer language. Even contemporary print texts display what N.K. Hayles calls the “mark of the digital” (2008, p. 159). Hayles (2008) argues that contemporary literature is deeply
    interpenetrated by electronic textuality:

    digital technologies do more than mark the surfaces of contemporary print novels. They also put into play dynamics that interrogate and reconfigure the relations between authors and readers, humans and intelligent machines, code and language… More than a mode of material production (although it is that), digitality has become the textual condition of the twenty-first-century literature. (p. 186) (Publication abstract)

    2022
Last amended 17 Jan 2023 09:27:51
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