'This Special Issue of TEXT explores the capacity of dreamscapes to function as powerful literary devices within an array of creative writing forms, while also informing and shaping creative arts practice more broadly. Its authors demonstrate diverse curiosities about creative practice as a kind of dreaming, where a practitioner’s engagements might constitute a quasi dreamwork-on-the-page. In addition to this, creative thinking itself can pass via registers reminiscent of the dream and of its atmospheres and formation, broaching unconscious material, experiences, and paradigms. Suffice to say, an inherent connection between dreams, storytelling and the production of artwork more generally is tested and expanded upon in these articles. The unconscious processes that unfold during dreaming may harvest their contents and compositions from the conscious processes engaged and activated intentionally by established practitioners when working in literary, narrative and poetic forms, but also vice versa. The poietic strategies fundamental to crafting dream sequences for written forms entail far more than a simple duplication of any real dreams’ narrative potential, associative chains, structures, or uncanny atmospheres: they require writers to translate dream-like elements into tangible sequences, rhythms, or scenes, to bring material substance to the oneiric.'
(Publication abstract)