Issue Details: First known date: 2022... 2022 Sci-fi Realism : M Barnard Eldershaw's Tomorrow and Tomorrow and Tomorrow
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'Tomorrow and Tomorrow and Tomorrow is a book that has remained an enigma since it was first published in a heavily censored form in 1947. Not only was it censored, but its publication was delayed due to wartime paper shortages, and one of the early uncensored manuscripts was lost between Adelaide and Melbourne. Even after the publication of an uncensored edition by Virago in 1983, the book continues to elude critics, and this elusive quality has only increased in the 21st century. with the book no longer in print. Nonetheless, it remains something of a cult classic among connoisseurs of Australian literary obscurities, with Patrick White as its most famous advocate. It is a book in which social realism is displaced by science fiction as the form best suited to combating Australian capitalism. Needless to say, it is a book that is very ambitious and very strange.' (Introduction)
 

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  • Appears in:
    y separately published work icon Overland no. 248 Spring 2022 25616816 2022 periodical issue 'This issue goes to print shortly after the fiftieth anniversary of the victory of the Whitlam government, a moment in Australian history that increasingly  resembles a fragment from another political reality. But then, there's an extent to which progress always does; there's a moment, a moment to which radical positive change first manifests itself, to paraphrase Jameson, like a utopian spark cast by a passing comet. Our 248th issue is dominated by fragments, fissures and speculations. Abigail Fisher's alchemical tribute to Bella Li makes poetry the gap between myth and allegory, and Michael Griffiths traces the resonance between TS Eliot's organisation of history in 'The Waste Land' and Carl Schmitt's model of political theology as a grim augur of the neoliberalism to come. In fiction. meanwhile, Bruna Gomes splinters the patterns of consent manufacture to expose the moral decay roiling beneath. If the whole, as Adorno put it. is always already the false, perhaps the formal recognition of the fragment can point the way to different versions of the possible.' (Editorial)
     
    2022
    pg. 3-14
Last amended 6 Jan 2023 10:55:00
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