'The work of Australian writer Inez Baranay is read in the light of Stephen Orgel’s assertion that ‘If readers construct books, books also construct readers,’ and a parallel remark by Elizabeth Webby, that the ‘life/fiction opposition is too simple: the values people act upon in life may, in fact, be derived from novels they have read.’ While making some reference to Baranay’s career as a whole, our focus is the 2019 novel Turn Left at Venus (2019), a structurally complex book about a (fictional) writer of science fiction whose most renowned work is titled Turn Left At Venus. The essay argues that, in reflecting on the making of literary values among those in the book industry, in scholarly environs, and general readers (particularly fans), reading Turn Left at Venus prompts questions about the role of gender, sexuality, cultural and linguistic difference, travel, and genre, as they shape the valuing of books and writers in Australia.'(Publication abstract)