y separately published work icon Rabbit periodical issue  
Alternative title: Art
Issue Details: First known date: 2022... no. 36 2022 of Rabbit est. 2011 Rabbit
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Contents

* Contents derived from the , 2022 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Editorial - 5 Scenes and a Handful of Questions, Jessica Wilkinson , single work essay
'Several years ago, a student in a creative writing class told me about All encounter he had had at an art gallery: he had stood for some time observing an exhibit for which he could not find a mounted label—no details on artist, title, media. or year that the piece 'came into being'. After a short search. he realised that it really was 'just an unattended pile of dust and dirt and hair alongside a resting broom. Perhaps some gallery staff member had begun the sweep unprepared for-such a significant pile of visitor detritus, and had wandered off in search of a brush and dustpan. ' (Introduction)
(p. 2-4)
Poetry Editorial : Some Notes on Distance, Leah Muddle , Angela Gardner , single work essay

Angela Gardner is currently living on Ireland's Beara Peninsula; I write from Naarm/Melbourne. Around reviewing the submissions for this issue, Angela adventured variously (jaunting—to Clonakilty, to Wicklow Mountains—Printmaking. kayaking); I did a lot of sitting, hunched on the sofa by a window. reading while the sun rose. I was ahead by the clock but otherwise lagged. Here is Angela, fleet (between blackberry picking and lawn mowing), setting out some context for this issue...(Introduction)

(p. 10-11)
Ars Poetica (Fan Mail)i"She apologises for the crazy. The previous one- she's not", L. K. Holt , single work poetry (p. 24-25)
Unfinished Portrait of Two Figuresi"When he stripped naked", Jarad Bruinstroop , single work poetry (p. 26-28)
Lux Australisi"tilted venetians admitted these oblongs of light. an accident of composition:", Stu Hatton , single work poetry (p. 30-31)
8.1i"Well I intentionally leave it unedited. If one's youth is editable. I would give up", Yu Ouyang , single work poetry (p. 32-33)
Containmenti"No. I am also [brown] because I have stories", Lesh Karan , single work poetry (p. 36-37)
On Googling Saint Olivia Palermo [Images]i"what has she done", Isabella G. Mead , single work poetry (p. 38-39)
A Conversation about Arti"What are your thoughts on art and the female body?", Heather Taylor Johnson , single work poetry (p. 40-43)
Painterlyi"Or it went like this: her, Art's paint-over the awnings of timber", Luke Beesley , single work poetry (p. 44-46)
Indexicalityi"In 1971, Alina Szapocznikow has twenty", Jo Langdon , single work poetry (p. 48-51)
Earsi"You are a printmaker,", Karolina Novak , single work poetry (p. 52-54)
On Felicien Rops' La Tentation de Saint Antoine (1878)i"Leafing through 13C manuscripts prefaces", Anthony Barker , single work poetry (p. 56-58)
The Fordi"Witness is what you must bear,", Margaret Bradstock , single work poetry (p. 60-61)
Collecting Firewood, After Mauvei"the blue of the peasant bent", Janet Jiahui Wu , single work poetry (p. 62-63)
A Bomb Fragment from an Allied Raidi"frescoes in the Camposanto Monumentale di Pisa)", Eva Phillips , single work poetry (p. 64-65)
Elaine Sturtevanti"she pulls down his obvious chin", Gareth Morgan , single work poetry (p. 68-69)
Evidence of Lifei"mist, a spectre", Lou Smith , single work poetry (p. 70-71)
Trans Moshi"My friend tells the gig photographer that Facebook has just started flagging", Maddie Godfrey , single work poetry (p. 72-73)
Love Lessons (Operatic Hay Seeds)i"We learnt about opera", Beth Spencer , single work poetry (p. 74-75)
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