Cirrus@Austlit

'For forty-five years, Social Alternatives has included fiction to probe socio-political issues. This issue brings fiction to the fore. Consistent with some earlier special issues (2021, 2013, 2009), we also include analysis of fiction as part of our commitment to a multidisciplinary platform for critical alternatives to oppressive norms. And in celebrating 45 years, our focus was necessarily broad. Social Alternatives believes that multiple mediums are beneficial in the promotion of public debates. Fictional representations of socio-economic and political concerns generate imaginative solutions to our current conditions. The founders of Social Alternatives consider fiction fundamental for the sharing of rigorous and fresh perspectives in the collective effort to navigate contemporary issues.' (Thu Hoang, Ginna Brock : Introduction)

'Best of Australian Poems is an annual anthology collecting previously published and unpublished poems to create a poetic snapshot and barometer of the year that was. Capturing the richness and diversity of Australian poetry across a timeframe of 1 July 2022–1 August 2023, the series (now in its third year) will explore how poetic responses to the contemporary moment develop with each passing year.' 

'The 2023 book opens with an introduction by its editors, highly respected poets and editors Gig Ryan and Panda Wong. Gig Ryan is one of the country’s most highly recognised and read poets, with major awards for her poetry over decades, and a prominent publication profile both here and overseas. Panda Wong is on the vanguard of Australian literature as a poet, editor and performer whose work spans the page, stage and digital space. Previous editors of this prestigious series have been Ellen van Neerven and Toby Fitch (2021), and Jeanine Leane and Judith Beveridge (2022).

'The Best of Australian Poems (BoAP) series is published by Australia’s national poetry organisation, Australian Poetry, and will feature two different guest editors each year, to amplify the range of voices selected. It is funded by the Australia Council for the Arts and individual patrons.' (Publication summary)