Notes on the Archive single work   essay  
Issue Details: First known date: 2022... 2022 Notes on the Archive
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'The archive is a site of both order and trouble. It could be said that the archive is where history goes to sleep. Where stories of truth and fiction and the ones that sit in between (or outside of), are kept, contained, and ‘assert the wholeness of Time’. (Le Guin, 1974)' (Introduction)

Notes

  • Epigraph: ‘We left the portal quickly concerned that it had ever been made.’
    Timmah Ball, ‘This Light’, 2021 

    ‘Acknowledging that the “truth” in nonfiction writing is tricky and inherently interpretable subtly undermines the rigidity of mainstream publishing where such books must fall into specific categories…’
    Timmah Ball, ‘Where Nonfiction Belongs’, 2022

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Cordite Poetry Review Cordite + Liminal no. 107 1 December 2022 25499437 2022 periodical issue

    ‘Criticism is committed … to helping us to understand poems as significant utterances. But it must ensure that in its desire to produce ultimate meaning it does not purchase intelligibility at the cost of blindness: blindness to the complexity of those non-meaningful features which differentiate poetry from everyday language and make it something other than an external thematic statement about an already-known world.’ (Veronica Forrest-Thomson)

    'I take my title and epigraph from Veronica Forrest-Thomson’s separatist manifesto, Poetic Artifice: A Theory of Twentieth-Century Poetry. First published posthumously in 1978, Poetic Artifice is more than what its unassumingly vague subtitle suggests. In addition to being a ‘theory of twentieth-century poetry’, it is also: an ABC of reading, an extended argument with the critic William Empson, a critical genealogy of technical innovations from John Donne to Dada, and a fanatically clear-sighted insistence that poems use language other than to exchange facts and observations about the world outside themselves. The ‘Artifice’ in Forrest-Thomson’s title is the name for the total process by which a poem marks language – adding emphasis through typography and lineation, rhyme, metrico-rhythmic patterning, etc. – so as to hijack its ordinary communicative usages and arrive at a meaning that is as much about itself as it is about the world at large, a meaning that subsumes thematic content under a larger concern about the efficacy of its own meaning-making structures.' (Bad Naturalisations: James Jiang, Introduction)

    2022
Last amended 2 Dec 2022 09:32:04
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