'An Australian western set in the goldfields of Ballarat, The Death of John Lacey is a viscerally powerful story of greed, power and violence from the author of Snake Island.
''The writing is honest, rich and clean, and it made me feel so much. Too many writers fuss things up, but Ben tells it simply, which is so affecting.'
Sofie Laguna, author of Miles Franklin-winning The Eye of the Sheep
'He felt the lump of gold still in his pocket. He would find his way out of this place and leave his brother happy and he would etch his name into the red earth or be damned.
'John Lacey lusts for power and knows that gold can bring him riches and influence beyond his wildest dreams. Only he knows the terrible crime he committed to attain that wealth. Years later, as Lacey ruthlessly presides over the town he built and named after himself, no one has the courage to question his power or how he wields it.
'Brothers Ernst and Joe Montague are on the run from the law. They land in Lacey's town and commit desperate crimes to avoid capture. Lacey vows retribution and galvanises those in the town to hunt them down. But not everyone is blind to Lacey's evil, and a reckoning is approaching.
'A visceral, powerful dissection of dispossession and colonisation, and the crimes committed in their name, The Death of John Lacey is also a moving and tender account of the love between brothers and a meditation on the true meaning of mercy and justice.' (Publication summary)
'In recent historical fiction, women authors have explored the Australian past from a female viewpoint, as in Kate Grenville’s A Room Made of Leaves (2020), focusing on Elizabeth Macarthur, and Anita Heiss’s Bila Yarrudhanggalangdhuray, River of Dreams (2022), about Wagadhaany, an Indigenous woman from the Murrumbidgee River. As if in response to such potent novels, now comes a trio expressing historical masculinity.' (Introduction)
'In recent historical fiction, women authors have explored the Australian past from a female viewpoint, as in Kate Grenville’s A Room Made of Leaves (2020), focusing on Elizabeth Macarthur, and Anita Heiss’s Bila Yarrudhanggalangdhuray, River of Dreams (2022), about Wagadhaany, an Indigenous woman from the Murrumbidgee River. As if in response to such potent novels, now comes a trio expressing historical masculinity.' (Introduction)
