y separately published work icon The Saturday Paper newspaper issue  
Issue Details: First known date: 2022... 5-11 November 2022 of The Saturday Paper est. 2014 The Saturday Paper
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Contents

* Contents derived from the 2022 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Dancer, Choreographer and Visual Artist Amrita Hepi, Emma Pegrum , single work column

'Amrita Hepi crosses boundaries of visual art, dance and performance, making her one of the most in-demand artists of the moment. By Emma Pegrum.'

Jacob Boehme, Kate Holden , single work column

'Jacob Boehme is an award-winning, multidisciplinary artist who began in dance and is now a writer, puppeteer, visual theatre-maker, choreographer, producer and festival director. He wrote and performed the critically acclaimed dance work Blood on the Dance Floor and is artistic director of the Wild Dog project in South Australia. Boehme is a proud man of the Narangga people from the Yorke Peninsula and Kaurna people from Adelaide. As director of First Nations programs at Sydney’s Carriageworks, he is presenting a celebration of the 50th anniversary of the National Black Theatre, Party | Protest | Remember, on November 12.' (Introduction) 

Colada, Kerry Jewell , single work short story
Tommi Parrish : Men I Trust, Oliver Reeson , single work review
— Review of Men I Trust Tommi Parrish , 2022 single work graphic novel ;

'Men I Trust is the sophomore graphic novel from Australian (now Montreal-based) Tommi Parrish. Like fellow artists Simon Hanselmann, Lee Lai and Adrian Tomine, Parrish’s work summons a mumblecore – the indie film genre that quietly flourished in the early 2000s – sensibility. But while mumblecore on film – with its dialogue-heavy, action-light plots and inwardly obsessed protagonists – arguably registered as somewhat twee and myopic, in graphic novel form this approach to storytelling is much more nuanced and affecting. Men I Trust sees Parrish perfectly capture the vulnerability, tension and flux of navigating relationships – romantic, familial, self-fulfilment – under the pressures of capitalism.' (Introduction)   

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 7 Nov 2022 08:53:16
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